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Today's Stichomancy for H. G. Wells

The first excerpt represents the past or something you must release, and is drawn from O Pioneers! by Willa Cather:

some disease on them. Alexandra wants to see your hammocks." Ivar led Alexandra and Emil to his little cave house. He had but one room, neatly plas- tered and whitewashed, and there was a wooden floor. There was a kitchen stove, a table cov- ered with oilcloth, two chairs, a clock, a calen- dar, a few books on the window-shelf; nothing more. But the place was as clean as a cup- board.


O Pioneers!
The second excerpt represents the present or the deciding factor of the moment, and is drawn from St. Ives by Robert Louis Stevenson:

piece of cannon.

'Alas, mademoiselle!' said I, 'I am no very perfect craftsman. This is supposed to be a house, and you see the chimneys are awry. You may call this a box if you are very indulgent; but see where my tool slipped! Yes, I am afraid you may go from one to another, and find a flaw in everything. FAILURES FOR SALE should be on my signboard. I do not keep a shop; I keep a Humorous Museum.' I cast a smiling glance about my display, and then at her, and instantly became grave. 'Strange, is it not,' I added, 'that a grown man and a soldier should be engaged upon such trash, and a sad heart produce anything so funny to look at?'

The third excerpt represents the future or something you must embrace, and is drawn from 1492 by Mary Johntson:

be standing without the entrance--they had no doors; sometimes they had curtains of cotton--looking upon that strange gathering in the little middle square of the town. So many Spaniards in the palm shadows, and the women feeding them, and Alonso de Ojeda's hand upon the arm of a slender brown girl with a wreath of flowers around her head. Father Buil was within with the Admiral, truculently and suspiciously regarding the idolater who now had left the hammock and seemed as well of a wound as any there! But here without were eight or ten friars, gathered together under a palm tree, making refection and talking