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Today's Stichomancy for Halle Berry

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems by T. S. Eliot:

And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps.

II

The morning comes to consciousness

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rivers to the Sea by Sara Teasdale:

The years before I saw your face Go by me with a wistful grace; They pass, the sensitive shy years, As one who strives to dance, half blind with tears.

The years went by and never knew That each one brought me nearer you; Their path was narrow and apart And yet it led me to your heart-- Oh sensitive shy years, oh lonely years, That strove to sing with voices drowned in tears.

PEACE

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

the four horses. Here we could see directly through the bush, and pointing the animals out to Nobs I whispered: "Fetch 'em, boy!"

In an instant he was gone, circling wide toward the rear of the quarry. They caught sight of him almost immediately and broke into a trot away from him; but when they saw that he was apparently giving them a wide berth they stopped again, though they stood watching him, with high-held heads and quivering nostrils. It was a beautiful sight. And then Nobs turned in behind them and trotted slowly back toward me. He did not bark, nor come rushing down upon them, and when he had come closer to them, he proceeded at a walk. The splendid creatures


The People That Time Forgot
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Waste Land by T. S. Eliot:

Filled all the desert with inviolable voice And still she cried, and still the world pursues, 'Jug Jug' to dirty ears. And other withered stumps of time Were told upon the walls; staring forms Leaned out, leaning, hushing the room enclosed. Footsteps shuffled on the stair. Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still, 110

'My nerves are bad to-night. Yes, bad. Stay with me.


The Waste Land