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Today's Stichomancy for Halle Berry

The first excerpt represents the past or something you must release, and is drawn from The Ancient Regime by Charles Kingsley:

its advantages would still accrue to the ruling race. For nothing could be more natural or more easy--as more than one legend intimates--than that the king should extort the new secret from his subject, and then put him to death to prevent any further publicity.

Two great inventive geniuses we may see dimly through the abysses of the past, both of whom must have become in their time great chiefs, founders of mighty aristocracies--it may be, worshipped after their death as gods.

The first, who seems to have existed after the age in which the black race colonised Australia, must have been surely a man worthy to hold rank with our Brindleys, Watts, and Stephensons. For he

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Art of War by Sun Tzu:

and Lu, whose wisdom and capacity qualified them for the task. The above words only emphasize this point." Ho Shih believes then that the two heroes are mentioned on account of their supposed skill in the use of spies. But this is very weak.]

27. Hence it is only the enlightened ruler and the wise general who will use the highest intelligence of the army for purposes of spying and thereby they achieve great results.

[Tu Mu closes with a note of warning: "Just as water, which carries a boat from bank to bank, may also be the means of sinking it, so reliance on spies, while production of great results, is oft-times the cause of utter destruction."]


The Art of War
The third excerpt represents the future or something you must embrace, and is drawn from The Tapestried Chamber by Walter Scott:

"The well-contested ground, The warlike Border-land,"

to render the habits of the tribes who inhabited it before the union of England and Scotland familiar to most of your readers. The rougher and sterner features of their character were softened by their attachment to the fine arts, from which has arisen the saying that on the frontiers every dale had its battle, and every river its song. A rude species of chivalry was in constant use, and single combats were practised as the amusement of the few intervals of truce which suspended the exercise of war. The inveteracy of this custom may be inferred from the following