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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

over to where Black Star lay, expecting to find him dead. Instead he found the racer partially if not wholly recovered. There was recognition, even fire, in his big black eyes. Venters was overjoyed. He sat by the black for a long time. Black Star presently labored to his feet with a heave and a groan, shook himself, and snorted for water. Venters repaired to the little pool he had found, filled his sombrero, and gave the racer a drink. Black Star gulped it at one draught, as if it were but a drop, and pushed his nose into the hat and snorted for more. Venters now led Night down to drink, and after a further time Black Star also. Then the blacks began to graze.


Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Road to Oz by L. Frank Baum:

"What's the matter, Polly?" asked Dorothy, perplexed.

There was no need for the Rainbow's Daughter to answer, for turning the bend in the road there came advancing slowly toward them a funny round man made of burnished copper, gleaming brightly in the sun. Perched on the copper man's shoulder sat a yellow hen, with fluffy feathers and a pearl necklace around her throat.

"Oh, Tik-tok!" cried Dorothy, running forward. When she came to him, the copper man lifted the little girl in his copper arms and kissed her cheek with his copper lips.

"Oh, Billina!" cried Dorothy, in a glad voice, and the yellow hen flew to her arms, to be hugged and petted by turns.


The Road to Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Arrow of Gold by Joseph Conrad:

and frightened ecstasy. The edges of the fur coat had fallen open and I was moved to turn away. I had the same impression as on the evening we parted that something had happened which I did not understand; only this time I had not touched her at all. I really didn't understand. At the slightest whisper I would now have gone out without a murmur, as though that emotion had given her the right to be obeyed. But there was no whisper; and for a long time I stood leaning on my arm, looking into the fire and feeling distinctly between the four walls of that locked room the unchecked time flow past our two stranded personalities.

And suddenly she spoke. She spoke in that voice that was so


The Arrow of Gold
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prince Otto by Robert Louis Stevenson:

'I did,' said Otto sombrely, 'but now I do not. I am growing old. And then, Gotthold, there is Seraphina. She is loathed in this country that I brought her to and suffered her to spoil. Yes, I gave it her as a plaything, and she has broken it: a fine Prince, an admirable Princess! Even her life - I ask you, Gotthold, is her life safe?'

'It is safe enough to-day,' replied the librarian: 'but since you ask me seriously, I would not answer for to-morrow. She is ill- advised.'

'And by whom? By this Gondremark, to whom you counsel me to leave my country,' cried the Prince. 'Rare advice! The course that I