| The first excerpt represents the past or something you must release, and is drawn from Collection of Antiquities by Honore de Balzac: bound to his lord by all the ties of affection. There was no balancing
of obligations; the sincere affection on either side put them out of
the question.
In the eyes of the Marquis, Chesnel's official dignity was as nothing;
his old servitor was merely disguised as a notary. As for Chesnel, the
Marquis was now, as always, a being of a divine race; he believed in
nobility; he did not blush to remember that his father had thrown open
the doors of the salon to announce that "My Lord Marquis is served."
His devotion to the fallen house was due not so much to his creed as
to egoism; he looked on himself as one of the family. So his vexation
was intense. Once he had ventured to allude to his mistake in spite of
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Muse of the Department by Honore de Balzac: 240 OLYMPIA
cavern. Rinaldo, indignant at his
companions' cowardice, for they had
no courage but in the open field, and
dared not venture into Rome, looked
at them with scorn.
"Then I go alone?" said he. He
seemed to reflect, and then he went
on: "You are poor wretches. I shall
proceed alone, and have the rich
booty to myself.--You hear me!
 The Muse of the Department |
The third excerpt represents the future or something you must embrace, and is drawn from Fisherman's Luck by Henry van Dyke: minor varieties. Each of these has its own proper style of
architecture, and to mix them is false art and poor economy.
The object of the camp-fire is to give heat, and incidentally light,
to your tent or shanty. You can hardly build this kind of a fire
unless you have a good axe and know how to chop. For the first
thing that you need is a solid backlog, the thicker the better, to
hold the heat and reflect it into the tent. This log must not be
too dry, or it will burn out quickly. Neither must it be too damp,
else it will smoulder and discourage the fire. The best wood for it
is the body of a yellow birch, and, next to that, a green balsam.
It should be five or six feet long, and at least two and a half feet
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