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Today's Stichomancy for Harrison Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Little Rivers by Henry van Dyke:

southern bank, but far above the water, runs the high road to Braemar and the Linn of Dee. On the other side of the river, nestling among the trees, is the low white manor-house,

"An ancient home of peace."

It is a place where one who had been wearied and perchance sore wounded in the battle of life might well desire to be carried, as Arthur to the island valley of Avilion, for rest and healing.

I have no thought of renewing the conflicts and cares that filled that summer with sorrow. There were fightings without and fears within; there was the surrender of an enterprise that had been cherished since boyhood, and the bitter sense of irremediable

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tom Grogan by F. Hopkinson Smith:

o'clock at night. Nobody stopped me or iver looked into me bundle of straw where me poor boy lay; an' I rung the bell, an' they came out, an' got him up into the ward, an' laid him on the bed. Dr. Mason was on night duty, an' come an' looked at him, an' said I must come over the next day; an' I kissed me poor Tom an' left him tucked in, promisin' to be back early in the mornin'. I had got only as far as the gate on the street whin one of the men came a-runnin' after me. I thought he had fainted, and ran back as fast as I could, but when I got me arms under him again--he was dead."

"And all this seven years ago, Tom?" said Babcock in astonishment,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of Unrest by Joseph Conrad:

surprise, "That Rajah, he coming. He here now." Karain appeared noiselessly in the doorway of the little cabin. He was simplicity itself then; all in white; muffled about his head; for arms only a kriss with a plain buffalo-horn handle, which he would politely conceal within a fold of his sarong before stepping over the threshold. The old sword-bearer's face, the worn-out and mournful face so covered with wrinkles that it seemed to look out through the meshes of a fine dark net, could be seen close above his shoulders. Karain never moved without that attendant, who stood or squatted close at his back. He had a dislike of an open space behind him. It was more than a dislike--it resembled fear, a nervous preoccupation of what


Tales of Unrest
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Seraphita by Honore de Balzac:

news arrived by courier, the conflagration which ravaged Stockholm, and the exact time at which it took place. The Queen of Sweden wrote to her brother, the King, at Berlin, that one of her ladies-in- waiting, who was ordered by the courts to pay a sum of money which she was certain her husband had paid before his death, went to Swedenborg and begged him to ask her husband where she could find proof of the payment. The following day Swedenborg, having done as the lady requested, pointed out the place where the receipt would be found. He also begged the deceased to appear to his wife, and the latter saw her husband in a dream, wrapped in a dressing-gown which he wore just before his death; and he showed her the paper in the place indicated


Seraphita