The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Silverado Squatters by Robert Louis Stevenson: breeze every afternoon in the hottest summer weather, had
gradually cured the sciatica; and his sister and niece were
now domesticated with him for company - or, rather, the niece
came only once in the two days, teaching music the meanwhile
in the valley. And then, for a last piece of luck, "the
handsomest spot in the Californy mountains" had produced a
petrified forest, which Mr. Evans now shows at the modest
figure of half a dollar a head, or two-thirds of his capital
when he first came there with an axe and a sciatica.
This tardy favourite of fortune - hobbling a little, I think,
as if in memory of the sciatica, but with not a trace that I
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeneid by Virgil: Who thought us Grecians, as we seem'd in show.
They aim at the mistaken crests, from high;
And ours beneath the pond'rous ruin lie.
Then, mov'd with anger and disdain, to see
Their troops dispers'd, the royal virgin free,
The Grecians rally, and their pow'rs unite,
With fury charge us, and renew the fight.
The brother kings with Ajax join their force,
And the whole squadron of Thessalian horse.
"Thus, when the rival winds their quarrel try,
Contending for the kingdom of the sky,
Aeneid |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs: to find a tiny particle of the demolished larva, ofttimes not
more than a speck of moisture.
Again, a minute bit of bark has been upturned by the
scraping hand, and the direction of the break indicates the
direction of the passage. Or some great limb, or the stem of the
tree itself has been brushed by the hairy body, and a tiny
shred of hair tells him by the direction from which it is
wedged beneath the bark that he is on the right trail.
Nor does he need to check his speed to catch these seemingly
faint records of the fleeing beast.
To Tarzan they stand out boldly against all the myriad
Tarzan of the Apes |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Les Miserables by Victor Hugo: And then, in proportion as he regained life, the old ulcers
of his memory opened once more, he reflected again on the past,
Colonel Pontmercy placed himself once more between M. Gillenormand
and him, Marius, he told himself that he had no true kindness to expect
from a person who had been so unjust and so hard to his father.
And with health, there returned to him a sort of harshness
towards his grandfather. The old man was gently pained by this.
M. Gillenormand, without however allowing it to appear, observed
that Marius, ever since the latter had been brought back to him
and had regained consciousness, had not once called him father.
It is true that he did not say "monsieur" to him; but he contrived
Les Miserables |