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Today's Stichomancy for Henry Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flower Fables by Louisa May Alcott:

music, and soon a distant voice mournfully singing,--

"Bright shines the summer sun, Soft is the summer air; Gayly the wood-birds sing, Flowers are blooming fair.

"But, deep in the dark, cold rock, Sadly I dwell, Longing for thee, dear friend, Lily-Bell! Lily-Bell!"

"Thistle, dear Thistle, where are you?" joyfully cried Lily-Bell, as she flew from rock to rock. But the voice was still, and she


Flower Fables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The New Machiavelli by H. G. Wells:

tremendously fit, under Altiora's inspiration, Pro Bono Publico. Bunting Harblow had his under-secretaryship, and Lewis was on the verge of the Cabinet, and these things we considered to be in the nature of confirmations. . . . It added to tbe discomfort of the situation that these plunging enquiries were being made in the presence of our wives.

The rebel section of our party forced the talk.

Edward Crampton was presently declaring--I forget in what relation: "The country is with us."

My long-controlled hatred of the Cramptons' stereotyped phrases about the Country and the House got the better of me. I showed my

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Venus and Adonis by William Shakespeare:

That inward beauty and invisible; Or were I deaf, thy outward parts would move Each part in me that were but sensible: 436 Though neither eyes nor ears, to hear nor see, Yet should I be in love by touching thee.

'Say, that the sense of feeling were bereft me, And that I could not see, nor hear, nor touch, 440 And nothing but the very smell were left me, Yet would my love to thee be still as much; For from the stillitory of thy face excelling Comes breath perfum'd that breedeth love by smelling.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

and yet not Northward", and I determined steadfastly to retain these words as the clue which, if firmly grasped, could not fail to guide me to the solution. So mechanically repeating, like a charm, the words, "Upward, yet not Northward", I fell into a sound refreshing sleep.

During my slumber I had a dream. I thought I was once more by the side of the Sphere, whose lustrous hue betokened that he had exchanged his wrath against me for perfect placability. We were moving together towards a bright but infinitesimally small Point, to which my Master directed my attention. As we approached, methought there issued from it a slight humming noise as from one


Flatland: A Romance of Many Dimensions