Today's Stichomancy for Hilary Duff

of the particular fact is the only matter of concern. Hence the inevitable tendency of the jury to be dominated by isolated

facts, with no other guide than sentiment, which, especially in southern races, confines all pity to the criminals, whilst the crime and its victims are all but forgotten. The very keenness of sentiment which would urge the people to administer ``summary justice'' on the criminal, when surprised in the fact, turns entirely in his favour when he is brought up at the assizes, with downcast mien, several months after the crime. Hence we obtain an impassioned and purblind justice.

And the predominance of sentiment over the intelligence of the

me, fell the curse of Rome.

"Since that day we are avoided, shunned with horror. None has come near this hut to know whether we live or not. The rest of us were taken down. Then I roused me and got up, as wife and mother will. It was little they could have eaten in any case; it was less than little they had to eat. But there was water, and I gave them that. How they craved it! and how they blessed it! But the end came yesterday; my strength broke down. Yesterday was the last time I ever saw my husband and this youngest child alive. I

A Connecticut Yankee in King Arthur's Court

the people of the Middle Ages bore any resemblance at all to the figures on mediaeval stained glass, or in mediaeval stone and wood carving, or on mediaeval metal-work, or tapestries, or illuminated MSS. They were probably very ordinary-looking people, with nothing grotesque, or remarkable, or fantastic in their appearance. The Middle Ages, as we know them in art, are simply a definite form of style, and there is no reason at all why an artist with this style should not be produced in the nineteenth century. No great artist ever sees things as they really are. If he did, he would cease to be an artist. Take an example from our own day. I know that you are fond of Japanese things. Now, do you really imagine that the