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Today's Stichomancy for Ho Chi Minh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Passionate Pilgrim by William Shakespeare:

XIV. Good night, good rest. Ah, neither be my share: She bade good night that kept my rest away; And daff'd me to a cabin hang'd with care, To descant on the doubts of my decay. 'Farewell,' quoth she, 'and come again tomorrow: Fare well I could not, for I supp'd with sorrow.

Yet at my parting sweetly did she smile, In scorn or friendship, nill I construe whether: 'T may be, she joy'd to jest at my exile, 'T may be, again to make me wander thither:

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

Much like unto a bubble; Women and care, and care and women, And women and care and trouble.

Good Master Merry, may I say confound?

MERRY. Ay, that you may.

KEMPTHORN. Well, then, with your permission, Confound the Pillory!

MERRY. That's the very thing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tristram Shandy by Laurence Sterne:

that in every stage of my life, and at every turn and corner where she could get fairly at me, the ungracious duchess has pelted me with a set of as pitiful misadventures and cross accidents as ever small Hero sustained.

Chapter 1.VI.

In the beginning of the last chapter, I informed you exactly when I was born; but I did not inform you how. No, that particular was reserved entirely for a chapter by itself;--besides, Sir, as you and I are in a manner perfect strangers to each other, it would not have been proper to have let you into too many circumstances relating to myself all at once.

--You must have a little patience. I have undertaken, you see, to write not only my life, but my opinions also; hoping and expecting that your

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

more grotesque by introducing some uncertain features which must have puzzled the conscientious idler. For instance, the cat's tail had been eaten into in such a way that it might now have been taken for the figure of a spectator--so long, and thick, and furry were the tails of our forefathers' cats. To the right of the picture, on an azure field which ill-disguised the decay of the wood, might be read the name "Guillaume," and to the left, "Successor to Master Chevrel." Sun and rain had worn away most of the gilding parsimoniously applied to the letters of this superscription, in which the Us and Vs had changed places in obedience to the laws of old-world orthography.

To quench the pride of those who believe that the world is growing