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Today's Stichomancy for Ho Chi Minh

The first excerpt represents the past or something you must release, and is drawn from Just Folks by Edgar A. Guest:

My baby's, through and through.

His ears were those I'd sung to; His chubby little hands Were those that I had clung to; His hair in golden strands It seemed my heart was strung to By love's unbroken bands.

With him I lived the old days That seem so far away; The beautiful and bold days When he was here to play;


Just Folks
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Crito by Plato:

fear, only the doctrines of the multitude, who would be as ready to restore people to life, if they were able, as they are to put them to death--and with as little reason. But now, since the argument has thus far prevailed, the only question which remains to be considered is, whether we shall do rightly either in escaping or in suffering others to aid in our escape and paying them in money and thanks, or whether in reality we shall not do rightly; and if the latter, then death or any other calamity which may ensue on my remaining here must not be allowed to enter into the calculation.

CRITO: I think that you are right, Socrates; how then shall we proceed?

SOCRATES: Let us consider the matter together, and do you either refute me

The third excerpt represents the future or something you must embrace, and is drawn from De Profundis by Oscar Wilde:

Now I am approaching life from a completely new standpoint, and even to conceive happiness is often extremely difficult for me. I remember during my first term at Oxford reading in Pater's RENAISSANCE - that book which has had such strange influence over my life - how Dante places low in the Inferno those who wilfully live in sadness; and going to the college library and turning to the passage in the DIVINE COMEDY where beneath the dreary marsh lie those who were 'sullen in the sweet air,' saying for ever and ever through their sighs -

'Tristi fummo Nell aer dolce che dal sol s'allegra.'