| The first excerpt represents the past or something you must release, and is drawn from Rewards and Fairies by Rudyard Kipling: child. He was indeed childish through great age.
'The line had not moved a bowshot when De Aquila's great
horn blew for a halt, and soon young Fulke - our false Fulke's son
- yes, the imp that lit the straw in Pevensey Castle [See 'Old Men
at Pevensey' in PUCK OF POOK'S HILL.] - came thundering up
a woodway.
'"Uncle," said he (though he was a man grown, he called me
Uncle), "those young Norman fools who shot at you this morn
are saying that your beaters cried treason against the King. It has
come to Harry's long ears, and he bids you give account of it.
There are heavy fines in his eye, but I am with you to the hilt,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from At the Mountains of Madness by H. P. Lovecraft: that new, unknown odor whose cause only a diseased fancy could
envisage - clung to those bodies and sparkled less voluminously
on a smooth part of the accursedly resculptured wall in a series
of grouped dots - we understood the quality of cosmic fear to
its uttermost depths. It was not fear of those four missing others
- for all too well did we suspect they would do no harm again.
Poor devils! Alter all, they were not evil things of their kind.
They were the men of another age and another order of being. Nature
had played a hellish jest on them - as it will on any others that
human madness, callousness, or cruelty may hereafter dig up in
that hideously dead or sleeping polar waste - and this was their
At the Mountains of Madness |
The third excerpt represents the future or something you must embrace, and is drawn from Massimilla Doni by Honore de Balzac: "Good-night to you, my dear fellow!"
"What! a woman? for me, whose only love is Venice?" exclaimed Marco.
At this instant the gondolier, who was leaning against a column,
recognizing the man he was to look out for, murmured in Emilio's ear:
"The Duchess, monseigneur."
Emilio sprang into the gondola, where he was seized in a pair of soft
arms--an embrace of iron--and dragged down on to the cushions, where
he felt the heaving bosom of an ardent woman. And then he was no more
Emilio, but Clarina's lover; for his ideas and feelings were so
bewildering that he yielded as if stupefied by her first kiss.
"Forgive this trick, my beloved," said the Sicilian. "I shall die if
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