Today's Stichomancy for Howard Stern

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac:

art movement, were filled with pity for the perseverance and the poverty of their old friend; and they caused to be admitted into the grand salon of the Exhibition, a picture by Fougeres. This picture, powerful in interest but derived from Vigneron as to sentiment and from Dubufe's first manner as to execution, represented a young man in prison, whose hair was being cut around the nape of the neck. On one side was a priest, on the other two women, one old, one young, in tears. A sheriff's clerk was reading aloud a document. On a wretched table was a meal, untouched. The light came in through the bars of a window near the ceiling. It was a picture fit to make the bourgeois shudder, and the bourgeois shuddered. Fougeres had simply been

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer:

classified and unclassified documents containing information on the participation of personnel from the MED, which supervised Project TRINITY, and from the Los Alamos Scientific Laboratory (LASL), which developed the TRINITY device. After this initial effort, researchers recorded relevant information concerning the activities of MED and LASL personnel and catalogued the data sources. Many of the documents pertaining specifically to MED and LASL participation were found in the Defense Nuclear Agency Technical Library and the LASL Records Center.

Information on the fallout pattern, meteorological conditions, and nuclear cloud dimensions is taken from Volume 1 of the General

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

away as she witnessed the terrible anger of the Russian as he looked upon the dead face of the baby and realized that at the last moment his dearest wish for vengeance had been thwarted by a higher power.

Almost throwing the body of the child back into Jane Clayton's arms, Rokoff stamped up and down the hut, pounding the air with his clenched fists and cursing terribly. At last he halted in front of the young woman, bringing his face down close to hers.

"You are laughing at me," he shrieked. "You think that you have beaten me--eh? I'll show you, as I have shown the miserable ape you call `husband,' what it means to interfere

The Beasts of Tarzan

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Aspern Papers by Henry James:

"A portrait of the god. I don't know what I wouldn't give to see it."

"I don't know what she has got. She keeps her things locked up." And Miss Tita went away, toward the staircase, with the sense evidently that she had said too much.

I let her go--I wished not to frighten her--and I contented myself with remarking that Miss Bordereau would not have locked up such a glorious possession as that--a thing a person would be proud of and hang up in a prominent place on the parlor wall. Therefore of course she had not any portrait. Miss Tita made no direct answer to this and, candle in hand, with her back to me, ascended two or three stairs.