The first excerpt represents the past or something you must release, and is drawn from The Mayor of Casterbridge by Thomas Hardy: bent on the candle-flame that she carried just below her
nose. Thus it happened that when confronting her he smiled;
and then, with the manner of a temporarily light-hearted
man, who has started himself on a flight of song whose
momentum he cannot readily check, he softly tuned an old
ditty that she seemed to suggest--
"As I came in by my bower door,
As day was waxin' wearie,
Oh wha came tripping down the stair
But bonnie Peg my dearie."
Elizabeth-Jane, rather disconcerted, hastened on; and the
The Mayor of Casterbridge |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Gentle Grafter by O. Henry: "So me and Andy dumps the books out the back window and packs our
trunk and takes the 6 o'clock Tortoise Flyer for Crow Knob, a kind of
a dernier resort in the mountains on the line of Tennessee and North
Carolina.
"We was directed to a kind of private hotel called Woodchuck Inn, and
thither me and Andy bent and almost broke our footsteps over the rocks
and stumps. The Inn set back from the road in a big grove of trees,
and it looked fine with its broad porches and a lot of women in white
dresses rocking in the shade. The rest of Crow Knob was a post office
and some scenery set an angle of forty-five degrees and a welkin.
"Well, sir, when we got to the gate who do you suppose comes down the
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The third excerpt represents the future or something you must embrace, and is drawn from Pagan and Christian Creeds by Edward Carpenter: turn did largely accentuate the self-motive; but to insist
that the real explanation of the whole process is only to
be found along one channel--the material OR the psychical
--is clearly quite unnecessary. Those who understand
that all matter is conscious in some degree, and that all
consciousness has a material form of some kind, will be the
first to admit this.
The same remarks apply to the Third Stage. We can see
that in modern times the huge and unlimited powers of
production by machinery, united with a growing tendency
towards intelligent Birth-control, are preparing the way
Pagan and Christian Creeds |