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Today's Stichomancy for Hugh Hefner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Professor by Charlotte Bronte:

for Monsieur Pelet will not refuse a professor recommended by me; but come here again at five o'clock this afternoon, and I will introduce you to him."

The word "professor" struck me. "I am not a professor," said I.

"Oh," returned Mr. Brown, "professor, here in Belgium, means a teacher, that is all."

My conscience thus quieted, I thanked Mr. Brown, and, for the present, withdrew. This time I stepped out into the street with a relieved heart; the task I had imposed on myself for that day was executed. I might now take some hours of holiday. I felt free to look up. For the first time I remarked the sparkling


The Professor
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ballads by Robert Louis Stevenson:

And mighty limbs of women, stalwart mothers of men. The sires stood forth unabashed; but a little back from his ken Clustered the scarcely nubile, the lads and maids, in a ring, Fain of each other, afraid of themselves, aware of the king And aping behaviour, but clinging together with hands and eyes, With looks that were kind like kisses, and laughter tender as sighs. There, too, the grandsire stood, raising his silver crest, And the impotent hands of a suckling groped in his barren breast. The childhood of love, the pair well married, the innocent brood, The tale of the generations repeated and ever renewed - Hiopa beheld them together, all the ages of man,


Ballads
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Before Adam by Jack London:

shore of the stream that drained Far Lake was packed thick with salmon that had come up from the sea to spawn.

Westward from the lake stretched the grass-lands, and here were multitudes of bison and wild cattle. Also were there many packs of wild dogs, and as there were no trees it was not a safe place for us. We followed north along the stream for days. Then, and for what reason I do not know, we abruptly left the stream and swung to the east, and then to the southeast, through a great forest. I shall not bore you with our journey.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Some Reminiscences by Joseph Conrad:

exaggeration, losing the exact notion of sincerity, and in the end coming to despise truth itself as something too cold, too blunt for his purpose--as, in fact, not good enough for his insistent emotion. From laughter and tears the descent is easy to snivelling and giggles.

These may seem selfish considerations; but you can't, in sound morals, condemn a man for taking care of his own integrity. It is his clear duty. And least of all you can condemn an artist pursuing, however humbly and imperfectly, a creative aim. In that interior world where his thought and his emotions go seeking for the experience of imagined adventures, there are no


Some Reminiscences