Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Through the Looking-Glass by Lewis Carroll:

`It began with blotting paper,' the Knight answered with a groan.

`That wouldn't be very nice, I'm afraid--'

`Not very nice ALONE,' he interrupted, quite eagerly: `but you've no idea what a difference it makes mixing it with other things--such as gunpowder and sealing-wax. And here I must leave you.' They had just come to the end of the wood.

Alice could only look puzzled: she was thinking of the pudding.

`You are sad,' the Knight said in an anxious tone: `let me sing you a song to comfort you.'

`Is it very long?' Alice asked, for she had heard a good deal of poetry that day.


Through the Looking-Glass
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Youth by Joseph Conrad:

as you would think of someone dead you have loved. I shall never forget her. . . . Pass the bottle.

"One night when tied to the mast, as I explained, we were pumping on, deafened with the wind, and without spirit enough in us to wish ourselves dead, a heavy sea crashed aboard and swept clean over us. As soon as I got my breath I shouted, as in duty bound, 'Keep on, boys!' when suddenly I felt something hard floating on deck strike the calf of my leg. I made a grab at it and missed. It was so dark we could not see each other's faces within a foot--you understand.


Youth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

weeds grow, we shall find full in view enough to occupy us till the tide returns. For the slab, see, is such a one as sea-beasts love to haunt. Its weed-covered surface shows that the surge has not shifted it for years past. It lies on other boulders clear of sand and mud, so that there is no fear of dead sea-weed having lodged and decayed under it, destructive to animal life. We can see dark crannies and caves beneath; yet too narrow to allow the surge to wash in, and keep the surface clean. It will be a fine menagerie of Nereus, if we can but turn it.

Now the crowbar is well under it; heave, and with a will; and so, after five minutes' tugging, propping, slipping, and splashing, the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Oakdale Affair by Edgar Rice Burroughs:

might have been the slow and ponderous footsteps of a heavy man, dragging painfully across the floor. For a few moments they heard it, and then all was silent.

For a dozen tense minutes the five listened; but there was no repetition of any sound from below. Suddenly the girl breathed a deep sigh, and the spell of terror was broken. Bridge felt rather than heard the youth sobbing softly against his breast, while across the room The Gen- eral gave a quick, nervous laugh which he as immedi- ately suppressed as though fearful unnecessarily of calling attention to their presence. The other vagabond


The Oakdale Affair