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Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Sentimental Journey by Laurence Sterne:

contrary.

MARIA.

WHEN Maria had come a little to herself, I ask'd her if she remembered a pale thin person of a man, who had sat down betwixt her and her goat about two years before? She said she was unsettled much at that time, but remembered it upon two accounts: - that ill as she was, she saw the person pitied her; and next, that her goat had stolen his handkerchief, and she had beat him for the theft; - she had wash'd it, she said, in the brook, and kept it ever since in her pocket to restore it to him in case she should ever see him again, which, she added, he had half promised her. As

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Children of the Night by Edwin Arlington Robinson:

After the phantom of hope that darted And dodged like a frightened thing before me, To quit me at last, and vanish. Nothing Was left me then but the curse of living And bearing through all my days the fever And thirst of a poisoned love. Were I stronger, Or weaker, perhaps my scorn had saved me, Given me strength to crush my sorrow With hate for her and the world that praised her -- To have left her, then and there -- to have conquered That old false life with a new and a wiser, --

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Poems by Bronte Sisters:

And glowed both roof and floor; And birds sang loudly in the wood, And fresh winds shook the door;

The curtains waved, the wakened flies Were murmuring round my room, Imprisoned there, till I should rise, And give them leave to roam.

Oh, stars, and dreams, and gentle night; Oh, night and stars, return! And hide me from the hostile light That does not warm, but burn;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Puck of Pook's Hill by Rudyard Kipling:

get too beany - that's cheeky - you get sat upon, of course.'

Hal considered a moment, pen in air, and Puck said some long words.

'A,ha! that was my case too,' he cried. 'Beany - you say - but certainly I did not conduct myself well. I was proud of - of such things as porches - a Galilee porch at Lincoln for choice - proud of one Torrigiano's arm on my shoulder, proud of my knighthood when I made the gilt scroll-work for the Sovereign - our King's ship. But Father Roger sitting in Merton College Library, he did not forget me. At the top of my pride, when I and no other should