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Today's Stichomancy for Ian McKellan

The first excerpt represents the past or something you must release, and is drawn from The Pupil by Henry James:

Morgan flushed - the tears came to his eyes. "Dites toujours two such rascally crews!" Then in a different tone he added: "Happy opulent youth!"

"Not if he's a dismal dunce."

"Oh they're happier then. But you can't have everything, can you?" the boy smiled.

Pemberton held him fast, hands on his shoulders - he had never loved him so. "What will become of you, what will you do?" He thought of Mrs. Moreen, desperate for sixty francs.

"I shall become an homme fait." And then as if he recognised all the bearings of Pemberton's allusion: "I shall get on with them

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Start in Life by Honore de Balzac:

want to get out a moment."

Pierrotin hurried his horses through the village street of Moisselles, at the end of which was the inn where all travellers stopped. This short distance was done in silence.

"Where is that young fool going?" asked the count, drawing Pierrotin into the inn-yard.

"To your steward. He is the son of a poor lady who lives in the rue de la Cerisaie, to whom I often carry fruit, and game, and poultry from Presles. She is a Madame Husson."

"Who is that man?" inquired Pere Leger of Pierrotin when the count had left him.

The third excerpt represents the future or something you must embrace, and is drawn from The Market-Place by Harold Frederic:

never believed it would. You haven't the taste for it inbred in your bones. You haven't the thousand little habits and interests that they take in with their mother's milk, and that make such a life possible. When you look at a hedge, you don't think of it as something to worry live animals out of. When you see one of your labourers, you don't care who his father was, or which dairymaid his uncle ought to have married, if he had wanted to get a certain cottage. You don't want to know the name of everybody whose roof you can see; much less could you remember them, and talk about them,


The Market-Place