| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Iliad by Homer: of battle. But even so, Patroclus, fall upon them and save the
fleet, lest the Trojans fire it and prevent us from being able to
return. Do, however, as I now bid you, that you may win me great
honour from all the Danaans, and that they may restore the girl
to me again and give me rich gifts into the bargain. When you
have driven the Trojans from the ships, come back again. Though
Juno's thundering husband should put triumph within your reach,
do not fight the Trojans further in my absence, or you will rob
me of glory that should be mine. And do not for lust of battle go
on killing the Trojans nor lead the Achaeans on to Ilius, lest
one of the ever-living gods from Olympus attack you--for Phoebus
 The Iliad |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Sportsman by Xenophon: all her strength, she will spring across to where some jutting point
or clinging undergrowth on sea or freshet may attract her.
[15] "The form tracks are made by the hare leisurely proceeding and
stopping at times; those on the run quickly."
[16] Lit. "Anything and everything will serve to couch under, or
above, within, beside, now at some distance off, and now hard by,
and now midway between."
The couching hare[17] constructs her form for the most part in
sheltered spots during cold weather and in shady thickets during the
hot season, but in spring and autumn on ground exposed to the sun. Not
so the running[18] animal, for the simple reason that she is scared
|