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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the past or something you must release, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

woman ran into the Serai among the horses and screamed and beat her breasts; for she had loved him.

Perhaps his last sentence in life told what McIntosh had once gone through; but, saving the big bundle of old sheets in the cloth, there was nothing in his room to say who or what he had been.

The papers were in a hopeless muddle.

Strickland helped me to sort them, and he said that the writer was either an extreme liar or a most wonderful person. He thought the former. One of these days, you may be able to judge for yourself. The bundle needed much expurgation and was full of Greek nonsense, at the head of the chapters, which has all been cut out.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from When a Man Marries by Mary Roberts Rinehart:

she managed the house, she tyrannized over her friends, and she bullied you. Yes, she did. Now she's here, without your invitation, and she has to stay. It's your turn to bully, to dictate terms, to be coldly civil or politely rude. Make her furious at you. If she is jealous, so much the better."

"How far would you sacrifice yourself on the altar of friendship?" he asked.

"You may pay me all the attention you like, in public," I replied, and after we shook hands we went together to Bella.

There was an ominous pause when we went into the den. Bella was sitting by the register, with her furs on, and after one glance

The third excerpt represents the future or something you must embrace, and is drawn from Paradise Lost by John Milton:

The doubt, since human reach no further knows. For though the Lord of all be infinite, Is his wrath also? Be it, Man is not so, But mortal doomed. How can he exercise Wrath without end on Man, whom death must end? Can he make deathless death? That were to make Strange contradiction, which to God himself Impossible is held; as argument Of weakness, not of power. Will he draw out, For anger's sake, finite to infinite, In punished Man, to satisfy his rigour,


Paradise Lost