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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides by Plato:

notions of theirs, which I was just now mentioning, the Greek physicians are quite right as far as they go; but Zamolxis, he added, our king, who is also a god, says further, 'that as you ought not to attempt to cure the eyes without the head, or the head without the body, so neither ought you to attempt to cure the body without the soul; and this,' he said, 'is the reason why the cure of many diseases is unknown to the physicians of Hellas, because they are ignorant of the whole, which ought to be studied also; for the part can never be well unless the whole is well.' For all good and evil, whether in the body or in human nature, originates, as he declared, in the soul, and overflows from thence, as if from the head into the eyes. And therefore if the head and body are to be well, you must

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall:

himself on the same terms as given to Mr. Payne at the time of quitting the Institution.

'Resolved,--That Michael Faraday be engaged to fill the situation lately occupied by Mr. Payne, on the same terms.'

[2] Faraday loved this word and employed it to the last; he had an intense dislike to the modern term physicist.

[3] To whom I am indebted for a copy of the original letter.

Chapter 2.

Early researches: magnetic rotations: liquefaction of gases: heavy glass: Charles Anderson: contributions to physics.

Oersted, in 1820, discovered the action of a voltaic current on a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

playing on the flageolet; if a sermon were dull, he must read in the book of Tobit or divert his mind with sly advances on the nearest women. When he walked, it must be with a book in his pocket to beguile the way in case the nightingales were silent; and even along the streets of London, with so many pretty faces to be spied for and dignitaries to be saluted, his trail was marked by little debts "for wine, pictures, etc.," the true headmark of a life intolerant of any joyless passage. He had a kind of idealism in pleasure; like the princess in the fairy story, he was conscious of a rose-leaf out of place. Dearly as he loved to talk, he could not enjoy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Age of Innocence by Edith Wharton:

On this particular evening they had invited Sillerton Jackson, Mrs. Archer and Newland and his wife to go with them to the Opera, where Faust was being sung for the first time that winter. Nothing was done without ceremony under the van der Luyden roof, and though there were but four guests the repast had begun at seven punctually, so that the proper sequence of courses might be served without haste before the gentlemen settled down to their cigars.

Archer had not seen his wife since the evening before. He had left early for the office, where he had