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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

which had often come to her before, that in inhabiting the fleshly tabernacle with which Nature had endowed her she was somehow doing wrong.

"No, no! Don't beg my pardon. But since you wear a veil to hide your good looks, why don't you keep it down?"

She pulled down the veil, saying hastily, "It was mostly to keep off the wind."

"It may seem harsh of me to dictate like this," he went on; "but it is better that I should not look too often on you. It might be dangerous."


Tess of the d'Urbervilles, A Pure Woman
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Polly of the Circus by Margaret Mayo:

of the slow-witted Jim. He braced himself for a difficult question.

"Will yer answer me somethin' straight?" he asked.

"Why, of course," she said as she met his gaze.

"Do you love the parson, Poll?"

She started.

"Is that it?"

Her lids fluttered and closed, she caught her breath quickly, her lips apart, then looked far into the distance.

"Yes, Jim, I'm afraid--that's it." The little figure drooped, and she stood before him with lowered eyes, unarmed. Jim looked

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Rape of Lucrece by William Shakespeare:

Her mistress she doth give demure good-morrow, With soft-slow tongue, true mark of modesty, And sorts a sad look to her lady's sorrow, (For why her face wore sorrow's livery,) But durst not ask of her audaciously Why her two suns were cloud-eclipsed so, Nor why her fair cheeks over-wash'd with woe.

But as the earth doth weep, the sun being set, Each flower moisten'd like a melting eye; Even so the maid with swelling drops 'gan wet Her circled eyne, enforc'd by sympathy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

definitely as the result of operations in the field. The aeroplane has reached a certain stage of evolution: further progress is virtually impossible unless something revolutionary is revealed, perfected, and brought to the practical stage.

CHAPTER VIII SCOUTING FROM THE SKIES

From the moment when human flight was lifted from the rut of experiment to the field of practical application, many theories, interesting and illuminating, concerning the utility of the Fourth Arm as a military unit were advanced. The general consensus of expert opinion was that the flying machine would be