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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the past or something you must release, and is drawn from Barnaby Rudge by Charles Dickens:

I took him to Mrs Rudge's; and she no sooner saw him than the truth came out.'

'Miss Emma, father--If this news should reach her, enlarged upon as it is sure to be, she will go distracted.'

'Why, lookye there again, how a man suffers for being good- natured,' said the locksmith. 'Miss Emma was with her uncle at the masquerade at Carlisle House, where she had gone, as the people at the Warren told me, sorely against her will. What does your blockhead father when he and Mrs Rudge have laid their heads together, but goes there when he ought to be abed, makes interest with his friend the doorkeeper, slips him on a mask and domino,


Barnaby Rudge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Philebus by Plato:

pitch:--may we affirm so much?

PROTARCHUS: Yes.

SOCRATES: But you would not be a real musician if this was all that you knew; though if you did not know this you would know almost nothing of music.

PROTARCHUS: Nothing.

SOCRATES: But when you have learned what sounds are high and what low, and the number and nature of the intervals and their limits or proportions, and the systems compounded out of them, which our fathers discovered, and have handed down to us who are their descendants under the name of harmonies; and the affections corresponding to them in the movements of the human

The third excerpt represents the future or something you must embrace, and is drawn from Twilight Land by Howard Pyle:

There was a student at the university whose name was Gebhart, who was so well acquainted with algebra and geometry that he could tell at a single glance how many drops of water there were in a bottle of wine. As for Latin and Greek--he could patter them off like his A B C's. Nevertheless, he was not satisfied with the things he knew, but was for learning the things that no schools could teach him. So one day he came knocking at Nicholas Flamel's door.

"Come in," said the wise man, and there Gebhart found him sitting in the midst of his books and bottles and diagrams and dust and chemicals and cobwebs, making strange figures upon the table with