| The first excerpt represents the past or something you must release, and is drawn from Russia in 1919 by Arthur Ransome: The second noticeable thing, especially in the Nevsky, which
was once crowded with people too fashionably dressed, is
the general lack of new clothes. I did not see anybody
wearing clothes that looked less than two years old, with the
exception of some officers and soldiers who are as well
equipped nowadays as at the beginning of the war.
Petrograd ladies were particularly fond of boots, and of
boots there is an extreme shortage. I saw one young woman
in a well-preserved, obviously costly fur coat, and beneath
it straw shoes with linen wrappings.
We had started rather late, so we took a train half-way up
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Adventure by Jack London: if she did the shooting. She was to him the most masculine and at
the same time the most feminine woman he had ever met.
A source of continual trouble between them was the disagreement
over methods of handling the black boys. She ruled by stern
kindness, rarely rewarding, never punishing, and he had to confess
that her own sailors worshipped her, while the house-boys were her
slaves, and did three times as much work for her as he had ever got
out of them. She quickly saw the unrest of the contract labourers,
and was not blind to the danger, always imminent, that both she and
Sheldon ran. Neither of them ever ventured out without a revolver,
and the sailors who stood the night watches by Joan's grass house
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The third excerpt represents the future or something you must embrace, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: Lazare before one of the finest houses of the neighborhood.
De Marsay was not impulsive. Any other young man would have obeyed his
impulse to obtain at once some information about a girl who realized
so fully the most luminous ideas ever expressed upon women in the
poetry of the East; but, too experienced to compromise his good
fortune, he had told his coachman to continue along the Rue Saint
Lazare and carry him back to his house. The next day, his confidential
valet, Laurent by name, as cunning a fellow as the Frontin of the old
comedy, waited in the vicinity of the house inhabited by the unknown
for the hour at which letters were distributed. In order to be able to
spy at his ease and hang about the house, he had followed the example
 The Girl with the Golden Eyes |