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Today's Stichomancy for J.K. Rowling

The first excerpt represents the past or something you must release, and is drawn from Russia in 1919 by Arthur Ransome:

The second noticeable thing, especially in the Nevsky, which was once crowded with people too fashionably dressed, is the general lack of new clothes. I did not see anybody wearing clothes that looked less than two years old, with the exception of some officers and soldiers who are as well equipped nowadays as at the beginning of the war. Petrograd ladies were particularly fond of boots, and of boots there is an extreme shortage. I saw one young woman in a well-preserved, obviously costly fur coat, and beneath it straw shoes with linen wrappings.

We had started rather late, so we took a train half-way up

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Adventure by Jack London:

if she did the shooting. She was to him the most masculine and at the same time the most feminine woman he had ever met.

A source of continual trouble between them was the disagreement over methods of handling the black boys. She ruled by stern kindness, rarely rewarding, never punishing, and he had to confess that her own sailors worshipped her, while the house-boys were her slaves, and did three times as much work for her as he had ever got out of them. She quickly saw the unrest of the contract labourers, and was not blind to the danger, always imminent, that both she and Sheldon ran. Neither of them ever ventured out without a revolver, and the sailors who stood the night watches by Joan's grass house

The third excerpt represents the future or something you must embrace, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

Lazare before one of the finest houses of the neighborhood.

De Marsay was not impulsive. Any other young man would have obeyed his impulse to obtain at once some information about a girl who realized so fully the most luminous ideas ever expressed upon women in the poetry of the East; but, too experienced to compromise his good fortune, he had told his coachman to continue along the Rue Saint Lazare and carry him back to his house. The next day, his confidential valet, Laurent by name, as cunning a fellow as the Frontin of the old comedy, waited in the vicinity of the house inhabited by the unknown for the hour at which letters were distributed. In order to be able to spy at his ease and hang about the house, he had followed the example


The Girl with the Golden Eyes