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Today's Stichomancy for Jack Kevorkian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

his business be if it were not for this young fellow? 'Twas verily Fortune sent him to Henchard. His accounts were like a bramblewood when Mr. Farfrae came. He used to reckon his sacks by chalk strokes all in a row like garden-palings, measure his ricks by stretching with his arms, weigh his trusses by a lift, judge his hay by a chaw, and settle the price with a curse. But now this accomplished young man does it all by ciphering and mensuration. Then the wheat-- that sometimes used to taste so strong o' mice when made into bread that people could fairly tell the breed--Farfrae has a plan for purifying, so that nobody would dream the


The Mayor of Casterbridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

at one end of the piazza, gossiping over former times, and drawing out long stories about the war. This neighborhood, at the time of which I am speaking, was one of those highly favored places which abound with chronicle and great men. The British and American line had run near it during the war; it had, therefore], been the scene of marauding and infested with refugees, cow-boys, and all kinds of border chivalry. Just sufficient time had elapsed to enable each story-teller to dress up his tale with a little becoming fiction, and, in the indistinctness of his recollection, to make himself the hero of every exploit.


The Legend of Sleepy Hollow
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

Mr. Travers nor I feel that a girl so young as you, and alone, has any place near the firing line. And that, I fancy, is where you wish to go. As to helping the Belgians, we have four in the house now. They do not belong to the same social circles, so they prefer tea in their own rooms. You are quite right about their needing help too. They cannot even make up their own beds."

"They are not all like that," broke in Mr. Travers hastily.

"Of course not. But I merely think that Miss - er - Kennedy should know both sides of the picture."

Somewhat later Sara Lee was ushered downstairs by the neat maid, who stood on the steps and blew a whistle for a taxi - Sara Lee had come in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Polly of the Circus by Margaret Mayo:

"Lord bless you, yes, sir," Toby answered, turning upon him eagerly. "Me an' Jim has been father an' mother and jes' about everythin' to that little one. She wan't much bigger'n a handful of peanuts when we begun a-worryin' about her."

"Well, Mandy will do the worrying now," Douglas laughed. "She's been dying for a chance to mother somebody all along. Why, she even tried it on me."

"I noticed as how some of those church people seemed to look kinder queer at me," said Toby, "and I been a-wonderin' if mebbe they might feel the same about her."

"Oh, they're all right," Douglas assured him; "they'll be her