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Today's Stichomancy for Jack Kevorkian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Romeo and Juliet by William Shakespeare:

will giue me occasion

Mercu. Could you not take some occasion without giuing? Tib. Mercutio thou consort'st with Romeo

Mer. Consort? what dost thou make vs Minstrels? & thou make Minstrels of vs, looke to heare nothing but discords: heere's my fiddlesticke, heere's that shall make you daunce. Come consort

Ben. We talke here in the publike haunt of men, Either withdraw vnto some priuate place, Or reason coldly of your greeuances:


Romeo and Juliet
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Water-Babies by Charles Kingsley:

her, and the green water-weeds floated round her sides, and the white water-lilies floated round her head, and the fairies of the stream came up from the bottom and bore her away and down upon their arms; for she was the Queen of them all; and perhaps of more besides.

"Where have you been?" they asked her.

"I have been smoothing sick folks' pillows, and whispering sweet dreams into their ears; opening cottage casements, to let out the stifling air; coaxing little children away from gutters, and foul pools where fever breeds; turning women from the gin-shop door, and staying men's hands as they were going to strike their wives; doing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Agnes Grey by Anne Bronte:

full as much as I expected her to show.

Shortly after my arrival, she commissioned her maid to conduct me to my room and see that I had everything I wanted; it was a small, unpretending, but sufficiently comfortable apartment. When I descended thence - having divested myself of all travelling encumbrances, and arranged my toilet with due consideration for the feelings of my lady hostess, she conducted me herself to the room I was to occupy when I chose to be alone, or when she was engaged with visitors, or obliged to be with her mother-in-law, or otherwise prevented, as she said, from enjoying the pleasure of my society. It was a quiet, tidy little sitting-room; and I was not


Agnes Grey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Mirth by Edith Wharton:

your seat, I suppose? But I MUST have a seat in this carriage--porter, you must find me a place at once. Can't some one be put somewhere else? I want to be with my friends. Oh, how do you do, Mr. Gryce? Do please make him understand that I must have a seat next to you and Lily."

Mrs. George Dorset, regardless of the mild efforts of a traveller with a carpet-bag, who was doing his best to make room for her by getting out of the train, stood in the middle of the aisle, diffusing about her that general sense of exasperation which a pretty woman on her travels not infrequently creates.

She was smaller and thinner than Lily Bart, with a restless