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Today's Stichomancy for Jack Kevorkian

The first excerpt represents the past or something you must release, and is drawn from Northanger Abbey by Jane Austen:

chaise-seat had conveyed for her immediate accommodation, when her eye suddenly fell on a large high chest, standing back in a deep recess on one side of the fireplace. The sight of it made her start; and, forgetting everything else, she stood gazing on it in motionless wonder, while these thoughts crossed her:

"This is strange indeed! I did not expect such a sight as this! An immense heavy chest! What can it hold? Why should it be placed here? Pushed back too, as if meant to be out of sight! I will look into it--cost me what it may, I will look into it--and directly too--by daylight.


Northanger Abbey
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Art of War by Sun Tzu:

they will surely exert their united strength to get out of it."]

24. Soldiers when in desperate straits lose the sense of fear. If there is no place of refuge, they will stand firm. If they are in hostile country, they will show a stubborn front. If there is no help for it, they will fight hard. 25. Thus, without waiting to be marshaled, the soldiers will be constantly on the qui vive; without waiting to be asked, they will do your will;

[Literally, "without asking, you will get."]

without restrictions, they will be faithful; without giving orders, they can be trusted.


The Art of War
The third excerpt represents the future or something you must embrace, and is drawn from The Deputy of Arcis by Honore de Balzac:

"I shall not cost you much," she said; "on the contrary, I can save you money."

"How so?"

"I can be the model for your statues if I choose. Besides which, I am a capital housekeeper. If Benedetto had behaved properly, we should have had a good home,--/per che/, I know how to make one; and I've another great talent too!"

She ran to a guitar, which was hanging on the wall, and began to sing a bravura air, accompanying herself with singular energy.

"In France," she said, when she had finished, "I could take lessons and go upon the stage, where I know I should succeed; that was