| The first excerpt represents the past or something you must release, and is drawn from Droll Stories, V. 1 by Honore de Balzac: sharp with them; and that she would then divert him by turning them
inside out before him. But above all things, he was to be friendly to
the said lady, and it was to appear as genuine, as if she enjoyed the
perfume of his favour, because she had gallantly lent herself to this
good joke.
"Well, gentlemen," said the king, re-entering the room, "let us fall
to; we have had a good day's sport."
And the surgeon, the cardinal, a fat bishop, the captain of the Scotch
Guard, a parliamentary envoy, and a judge loved of the king, followed
the two ladies into the room where one rubs the rust off one's jaw
bones. And there they lined the mold of their doublets. What is that?
 Droll Stories, V. 1 |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Louis Lambert by Honore de Balzac: for the stuffy atmosphere of the classroom. The "little boys" and the
smallest of all, for lack of a mother's care, were martyrs to
chilblains and chaps so severe that they had to be regularly dressed
during the breakfast hour; but this could only be very indifferently
done to so many damaged hands, toes, and heels. A good many of the
boys indeed were obliged to prefer the evil to the remedy; the choice
constantly lay between their lessons waiting to be finished or the
joys of a slide, and waiting for a bandage carelessly put on, and
still more carelessly cast off again. Also it was the fashion in the
school to gibe at the poor, feeble creatures who went to be doctored;
the bullies vied with each other in snatching off the rags which the
 Louis Lambert |
The third excerpt represents the future or something you must embrace, and is drawn from Captain Stormfield by Mark Twain: twenty-seven years since I saw her. A young mother she was, about
twenty two or four, or along there; and blooming and lovely and
sweet? oh, just a flower! And all her heart and all her soul was
wrapped up in her child, her little girl, two years old. And it
died, and she went wild with grief, just wild! Well, the only
comfort she had was that she'd see her child again, in heaven -
'never more to part,' she said, and kept on saying it over and
over, 'never more to part.' And the words made her happy; yes,
they did; they made her joyful, and when I was dying, twenty-seven
years ago, she told me to find her child the first thing, and say
she was coming - 'soon, soon, VERY soon, she hoped and believed!'"
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