Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for James Brown

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

beyond that line where the soul is mistress over herself, he lost himself in these delicious limboes, which the vulgar call so foolishly "the imaginary regions." He was tender, kind, and confidential. He affected Paquita almost to madness.

"Why should we not go to Sorrento, to Nice, to Chiavari, and pass all our life so? Will you?" he asked of Paquita, in a penetrating voice.

"Was there need to say to me: 'Will you'?" she cried. "Have I a will? I am nothing apart from you, except in so far as I am a pleasure for you. If you would choose a retreat worthy of us, Asia is the only country where love can unfold his wings. . . ."

"You are right," answered Henri. "Let us go to the Indies, there where


The Girl with the Golden Eyes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

So people knew fairies in those days, my dear, and loved them, together with all the ryls and knooks and pixies and nymphs and other beings that belong to the hordes of immortals. And a fairy tale was a thing to be wondered at and spoken of in awed whispers; for no one thought of doubting its truth.

To-day the fairies are shy; for so many curious inventions of men have come into use that the wonders of Fairyland are somewhat tame beside them, and even the boys and girls can not be so easily interested or surprised as in the old days. So the sweet and gentle little immortals perform their tasks unseen and unknown, and live mostly in their own beautiful realms, where they are almost unthought of by our


The Enchanted Island of Yew
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Myths and Myth-Makers by John Fiske:

specimens of Aryan literature, save perhaps the hymns of the Rig-Veda and the sacred books of the Avesta.

The apparent difficulty of preserving such long poems for three or four centuries without the aid of writing may seem at first sight to justify the hypothesis of Wolf, that they are mere collections of ancient ballads, like those which make up the Mahabharata, preserved in the memories of a dozen or twenty bards, and first arranged under the orders of Peisistratos. But on a careful examination this hypothesis is seen to raise more difficulties than it solves. What was there in the position of Peisistratos, or of Athens itself in the


Myths and Myth-Makers
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Odyssey by Homer:

"Madam," answered Ulysses, "it is such a long time ago that I can hardly say. Twenty years are come and gone since he left my home, and went elsewhither; but I will tell you as well as I can recollect. Ulysses wore a mantle of purple wool, double lined, and it was fastened by a gold brooch with two catches for the pin. On the face of this there was a device that shewed a dog holding a spotted fawn between his fore paws, and watching it as it lay panting upon the ground. Every one marvelled at the way in which these things had been done in gold, the dog looking at the fawn, and strangling it, while the fawn was struggling convulsively to escape. {153} As for the shirt that he wore next


The Odyssey