The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Collected Articles by Frederick Douglass: after so many years, with some complacency and a little wonder that I could
have been so earnest and persevering in any pursuit other than for my
daily bread. I certainly saw nothing in the conduct of those around
to inspire me with such interest: they were all devoted exclusively
to what their hands found to do. I am glad to be able to say that,
during my engagement in this foundry, no complaint was ever made against
me that I did not do my work, and do it well. The bellows which I worked
by main strength was, after I left, moved by a steam-engine.
Douglass, Frederick. "Reconstruction."
Atlantic Monthly 18 (1866): 761-765.
RECONSTRUCTION
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Europeans by Henry James: and an orchard on the other. All this was shining in the morning air,
through which the simple details of the picture addressed themselves
to the eye as distinctly as the items of a "sum" in addition.
A second young lady presently came out of the house, across the piazza,
descended into the garden and approached the young girl of whom I
have spoken. This second young lady was also thin and pale; but she
was older than the other; she was shorter; she had dark, smooth hair.
Her eyes, unlike the other's, were quick and bright; but they were not at
all restless. She wore a straw bonnet with white ribbons, and a long,
red, India scarf, which, on the front of her dress, reached to her feet.
In her hand she carried a little key.
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Second Home by Honore de Balzac: certain previous incidents, of which the last was closely concerned
with the death of Madame Crochard. The two parts will then form a
whole--a story which, by a law peculiar to life in Paris, was made up
of two distinct sets of actions.
Towards the close of the month of November 1805, a young barrister,
aged about six-and-twenty, was going down the stairs of the hotel
where the High Chancellor of the Empire resided, at about three
o'clock one morning. Having reached the courtyard in full evening
dress, under a keen frost, he could not help giving vent to an
exclamation of dismay--qualified, however, by the spirit which rarely
deserts a Frenchman--at seeing no hackney coach waiting outside the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phaedo by Plato: Pyriphlegethon is a stream of fire, which coils round the earth and flows
into the depths of Tartarus. The fourth river, Cocytus, is that which is
called by the poets the Stygian river, and passes into and forms the lake
Styx, from the waters of which it gains new and strange powers. This
river, too, falls into Tartarus.
The dead are first of all judged according to their deeds, and those who
are incurable are thrust into Tartarus, from which they never come out.
Those who have only committed venial sins are first purified of them, and
then rewarded for the good which they have done. Those who have committed
crimes, great indeed, but not unpardonable, are thrust into Tartarus, but
are cast forth at the end of a year by way of Pyriphlegethon or Cocytus,
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