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Today's Stichomancy for James Gandolfini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twenty Years After by Alexandre Dumas:

penetrating glance like one who had formerly sustained many a searching look, very different, indeed, from those which were inquiringly directed on him at that instant.

"Sir," resumed the cardinal, "you are to come with me, or rather, I am to go with you."

"I am at your command, my lord," returned D'Artagnan.

"I wish to visit in person the outposts which surround the Palais Royal; do you suppose that there is any danger in so doing?"

"Danger, my lord!" exclaimed D'Artagnan with a look of astonishment, "what danger?"


Twenty Years After
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pivot of Civilization by Margaret Sanger:

``negative Eugenics'' that has studied the histories of such families as the Jukeses and the Kallikaks, that has pointed out the network of imbecility and feeble-mindedness that has been sedulously spread through all strata of society. On its so-called positive or constructive side, it fails to awaken any permanent interest. ``Constructive'' Eugenics aims to arouse the enthusiasm or the interest of the people in the welfare of the world fifteen or twenty generations in the future. On its negative side it shows us that we are paying for and even submitting to the dictates of an ever increasing, unceasingly spawning class of human beings who never should have been born at all--that the wealth of individuals and of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Wild by Jack London:

stormed and raged at them through the bars. They only laughed and poked sticks at him, which he promptly assailed with his teeth till he realized that that was what they wanted. Whereupon he lay down sullenly and allowed the crate to be lifted into a wagon. Then he, and the crate in which he was imprisoned, began a passage through many hands. Clerks in the express office took charge of him; he was carted about in another wagon; a truck carried him, with an assortment of boxes and parcels, upon a ferry steamer; he was trucked off the steamer into a great railway depot, and finally he was deposited in an express car.

For two days and nights this express car was dragged along at the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tom Grogan by F. Hopkinson Smith:

What have I got to do with your"--

"You've got enough to do with 'em, you and your friend McGaw, to want 'em to starve. Have I ever hurt ye that ye should try an' sneak me business away from me? Ye know very well the fight I've made, standin' out on this dock, many a day an' night, in the cold an' wet, with nothin' between Tom's children an' the street but these two hands--an' yet ye'd slink in like a dog to get me"--

"Here, now, I ain't a-goin' to have no row," said Lathers, twitching his shoulders. "It's against orders, an' I'll call the yard-watch, and throw you out if you make any fuss."

"The yard-watch!" said Tom, with a look of supreme contempt. "I