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Today's Stichomancy for James Joyce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

the alert. More than a single man was approaching. Jenssen stepped forward and challenged the newcomers in a low whisper.

"Who comes?" he queried.

"Mbeeda," came the reply.

Mbeeda was the name of the traitorous head man. Jenssen was satisfied, though he wondered why Mbeeda had brought others with him. Presently he understood. The thing they fetched lay upon a litter borne by two men. Jenssen cursed beneath his breath. Could the fool be bringing them a corpse? They had paid for a living prize!

The bearers came to a halt before the white men.


The Son of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Betty by Honore de Balzac:

laying her hand on Lisbeth's as if to accept her pledge. "I am a married woman, and my own mistress, to such a degree, that in the morning, when Marneffe sets out for the office, if he takes it into his head to say good-bye and finds my door locked, he goes off without a word. He cares less for his boy than I care for one of the marble children that play at the feet of one of the river-gods in the Tuileries. If I do not come home to dinner, he dines quite contentedly with the maid, for the maid is devoted to monsieur; and he goes out every evening after dinner, and does not come in till twelve or one o'clock. Unfortunately, for a year past, I have had no ladies' maid, which is as much as to say that I am a widow!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Sentimental Journey by Laurence Sterne:

ancient gentleman came slowly - and, after him, a young smart one. - He let them both pass, and ask'd nothing. I stood observing him half an hour, in which time he had made a dozen turns backwards and forwards, and found that he invariably pursued the same plan.

There were two things very singular in this, which set my brain to work, and to no purpose: - the first was, why the man should ONLY tell his story to the sex; - and, secondly, - what kind of story it was, and what species of eloquence it could be, which soften'd the hearts of the women, which he knew 'twas to no purpose to practise upon the men.

There were two other circumstances, which entangled this mystery; -

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The House of Dust by Conrad Aiken:

I bent my head above it, and cried in silence. Only the things I dreamed of heard my cry.

Once I loved, and she I loved was darkened. Again I loved, and love itself was darkened. Vainly we follow the circle of shadowy days. The screen at last grows dark, the flutes are silent. The doors of night are closed. We go our ways.

VII.

The sun goes down in a cold pale flare of light. The trees grow dark: the shadows lean to the east: And lights wink out through the windows, one by one.