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Today's Stichomancy for James Joyce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sophist by Plato:

of Comparative Philology or of Comparative Mythology and Religion, which would have opened a new world to him. He makes no allowance for the element of chance either in language or thought; and perhaps there is no greater defect in his system than the want of a sound theory of language. He speaks as if thought, instead of being identical with language, was wholly independent of it. It is not the actual growth of the mind, but the imaginary growth of the Hegelian system, which is attractive to him.

Neither are we able to say why of the common forms of thought some are rejected by him, while others have an undue prominence given to them. Some of them, such as 'ground' and 'existence,' have hardly any basis either in language or philosophy, while others, such as 'cause' and 'effect,' are but

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall:

I now remain; and where I am constantly employed in observing the works of nature, and tracing the manner in which she directs the order and arrangement of the world. I have lately had proposals made to me by Sir Humphry Davy to accompany him in his travels through Europe and Asia, as philosophical assistant. If I go at all I expect it will be in October next--about the end; and my absence from home will perhaps be as long as three years. But as yet all is uncertain.'

This account is supplemented by the following letter, written by Faraday to his friend De la Rive,[3] on the occasion of the death of Mrs. Marcet. The letter is dated September 2, 1858:--

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

more so with the invalid. Some day he will find his first violet, and be lost in pleasant wonder, by what alchemy the cold earth of the clods, and the vapid air and rain, can be transmuted into colour so rich and odour so touchingly sweet. Or perhaps he may see a group of washerwomen relieved, on a spit of shingle, against the blue sea, or a meeting of flower- gatherers in the tempered daylight of an olive-garden; and something significant or monumental in the grouping, something in the harmony of faint colour that is always characteristic of the dress of these southern women, will come borne to him unexpectedly, and awake in him that satisfaction with which we

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

"He certainly was not what is called a domestic character," said Aunt Jane.

"I suppose you are, Miss Maxwell," said Philip. "Do you often go out?"

"Sometimes, to drive," said Aunt Jane. "Yesterday I went shopping with Kate, and sat in the carriage while she bought under-sleeves enough for a centipede. It is always so with that child. People talk about the trouble of getting a daughter ready to be married; but it is like being married once a month to live with her."

"I wonder that you take her to drive with you," suggested