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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oedipus Trilogy by Sophocles:

Who when such deeds are done Can hope heaven's bolts to shun? If sin like this to honor can aspire, Why dance I still and lead the sacred choir?

(Ant. 2) No more I'll seek earth's central oracle, Or Abae's hallowed cell, Nor to Olympia bring My votive offering. If before all God's truth be not bade plain. O Zeus, reveal thy might,


Oedipus Trilogy
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

grimacing. So women, too, admire such young people with that eager pleasure which men take in watching a pretty girl, elegant, gracious, and embellished with all the virginal charms with which our imagination pleases to adorn the perfect woman. If this hurried glance at the population of Paris has enabled us to conceive the rarity of a Raphaelesque face, and the passionate admiration which such an one must inspire at the first sight, the prime interest of our history will have been justified. /Quod erat demonstrandum/--if one may be permitted to apply scholastic formulae to the science of manners.

Upon one of those fine spring mornings, when the leaves, although unfolded, are not yet green, when the sun begins to gild the roofs,


The Girl with the Golden Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Master of the World by Jules Verne:

recognizable pinnacle, the rock like a mounting eagle. It was the same that had held the attention of Mr. Elias Smith and myself, when we had looked up at it from the outer side of the Great Eyrie.

Thus there was no further doubt. In its flight during the night the airship had covered the distance between Lake Erie and North Carolina. It was in the depth of this Eyrie that the machine had found shelter! This was the nest, worthy of the gigantic and powerful bird created by the genius of our captain! The fortress whose mighty walls none but he could scale! Perhaps even, he had discovered in the depths of some cavern, some subterranean passage by which he himself could quit the Great Eyrie, leaving the "Terror" safely sheltered

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

heeded the transient flush of enthusiasm but little. Even the pleasant cheery talk that pleased her father so was but surface-deep, he knew. The woman he must conquer for his great end lay beneath, dark and cold. It was only for that end he cared for her. Through what cold depths of solitude her soul breathed faintly mattered little. Yet an idle fancy touched him, what a triumph the man had gained, whoever he might be, who had held the master-key to a nature so rare as this, who had the kingly power in his hand to break its silence into electric shivers of laughter and tears,--terrible subtile pain, or joy as terrible. Did he hold the power still? He wondered. Meanwhile


Margret Howth: A Story of To-day