| The first excerpt represents the past or something you must release, and is drawn from Heroes by Charles Kingsley: mother waits for you, to talk about the golden fleece.'
Then Jason went boldly with the boy, and found the two
princesses standing; and when Chalciope saw him she wept, and
took his hands, and cried - 'O cousin of my beloved, go home
before you die!'
'It would be base to go home now, fair princess, and to have
sailed all these seas in vain.' Then both the princesses
besought him; but Jason said, 'It is too late.'
'But you know not,' said Medeia, 'what he must do who would
win the fleece. He must tame the two brazen-footed bulls,
who breathe devouring flame; and with them he must plough ere
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Another Study of Woman by Honore de Balzac: is the power of the actor and the story-teller, had never so
completely bewitched me. Nor was I alone under the influence of its
spell; we all spent a delightful evening. The conversation had drifted
into anecdote, and brought out in its rushing course some curious
confessions, several portraits, and a thousand follies, which make
this enchanting improvisation impossible to record; still, by setting
these things down in all their natural freshness and abruptness, their
elusive divarications, you may perhaps feel the charm of a real French
evening, taken at the moment when the most engaging familiarity makes
each one forget his own interests, his personal conceit, or, if you
like, his pretensions.
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The third excerpt represents the future or something you must embrace, and is drawn from Almayer's Folly by Joseph Conrad: nests on the mainland. Those two articles he professed himself
ready to buy if there were any to be obtained in that way. He
said he was from Bali, and a Brahmin, which last statement he
made good by refusing all food during his often repeated visits
to Lakamba's and Almayer's houses. To Lakamba he went generally
at night and had long audiences. Babalatchi, who was always a
third party at those meetings of potentate and trader, knew how
to resist all attempts on the part of the curious to ascertain
the subject of so many long talks. When questioned with languid
courtesy by the grave Abdulla he sought refuge in a vacant stare
of his one eye, and in the affectation of extreme simplicity.
Almayer's Folly |
