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Today's Stichomancy for Jayne Mansfield

The first excerpt represents the past or something you must release, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

Akakievitch expressed himself chiefly by prepositions, adverbs, and scraps of phrases which had no meaning whatever. If the matter was a very difficult one, he had a habit of never completing his sentences; so that frequently, having begun a phrase with the words, "This, in fact, is quite--" he forgot to go on, thinking that he had already finished it.

"What is it?" asked Petrovitch, and with his one eye scanned Akakievitch's whole uniform from the collar down to the cuffs, the back, the tails and the button-holes, all of which were well known to him, since they were his own handiwork. Such is the habit of tailors; it is the first thing they do on meeting one.


Taras Bulba and Other Tales
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Damnation of Theron Ware by Harold Frederic:

under compulsion, with some directness. His thoughts were absorbed, he said, by the contemplation of vast, abstract schemes of creation and the government of the universe, and it only diverted and embarrassed his mind to try to fasten it upon the details of personal salvation. Thereafter the topic was not broached between them.

She bestowed a good deal of attention, too, upon her piano. The knack of a girlish nimbleness of touch had returned to her after a few weeks, and she made music which Theron supposed was very good--for her. It pleased him, at all events, when he sat and listened to it; but he had


The Damnation of Theron Ware
The third excerpt represents the future or something you must embrace, and is drawn from One Basket by Edna Ferber:

me." They wasted little conversation on the stag. It was much more exciting to exhibit letters on blue-lined paper with the red emblem at the top. Chuck's last letter had contained the news of his sergeancy.

Angie Hatton, home from the East, was writing letters, too. Everyone in Chippewa knew that. She wrote on that new art paper with the gnawed- looking edges and stiff as a newly laundered cuff. But the letters which she awaited so eagerly were written on the same sort of paper as were those Tessie had from Chuck--blue-lined, cheap in quality. A New York fellow, Chippewa learned; an aviator. They knew, too, that young Hatton was an


One Basket