| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce: the eddies of the stream, the beating of the dragon flies'
wings, the strokes of the water spiders' legs, like oars
which had lifted their boat -- all these made audible
music. A fish slid along beneath his eyes and he heard the
rush of its body parting the water.
He had come to the surface facing down the stream; in a
moment the visible world seemed to wheel slowly round,
himself the pivotal point, and he saw the bridge, the fort,
the soldiers upon the bridge, the captain, the sergeant, the
two privates, his executioners. They were in silhouette
against the blue sky. They shouted and gesticulated,
 An Occurrence at Owl Creek Bridge |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe: Lifts her hand so white,
And appears as though full sore afraid.
"Am I," cries she, "such a stranger here,
That the guest's approach they could not name?
Ah, they keep me in my cloister drear,
Well nigh feel I vanquish'd by my shame.
On thy soft couch now
Slumber calmly thou!
I'll return as swiftly as I came."
"Stay, thou fairest maiden!" cries the boy,
Starting from his couch with eager haste:
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catherine de Medici by Honore de Balzac: enclosure, round one courtyard, a complete and perfect image of that
grand presentation of the manners and customs and life of nations
which is called Architecture. At the moment when Christophe was to
visit the court, that part of the adjacent land which in our day is
covered by a fourth palace, built seventy years later (by Gaston, the
rebellious brother of Louis XIII., then exiled to Blois), was an open
space containing pleasure-grounds and hanging gardens, picturesquely
placed among the battlements and unfinished turrets of Francois I.'s
chateau.
These gardens communicated, by a bridge of a fine, bold construction
(which the old men of Blois may still remember to have seen
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Anabasis by Xenophon: pupil of Socrates. He marched with the Spartans,
and was exiled from Athens. Sparta gave him land
and property in Scillus, where he lived for many
years before having to move once more, to settle
in Corinth. He died in 354 B.C.
The Anabasis is his story of the march to Persia
to aid Cyrus, who enlisted Greek help to try and
take the throne from Artaxerxes, and the ensuing
return of the Greeks, in which Xenophon played a
leading role. This occurred between 401 B.C. and
March 399 B.C.
 Anabasis |