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Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

"But why is that?" asked Wul-Takim, while all the party showed their surprise.

"Why, until now we have never had any need to fight," said the captain, "for every one has quickly surrendered to us or run away the moment we came near. But you people do not appear to be properly frightened, and now, alas! since you have drawn upon us the great sorcerer's anger, we shall all be transformed into June-bugs."

"Yes!" roared Kwytoffle, hopping up and down with anger, "you shall all be June-bugs, and these strangers I will transform into grasshoppers!"

"Very well," said Prince Marvel, quietly; "you can do it now."

"I will! I will!" cried the sorcerer.


The Enchanted Island of Yew
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from From London to Land's End by Daniel Defoe:

side the said two horns or points of land, so breaking the force of the water, and, as above, lessening the weight of it.

But besides this the whole TERRA FIRMA, or body of the land which makes this part of the isle of Britain, seems to be one solid rock, as if it was formed by Nature to resist the otherwise irresistible power of the ocean. And, indeed, if one was to observe with what fury the sea comes on sometimes against the shore here, especially at the Lizard Point, where there are but few, if any, out-works, as I call them, to resist it; how high the waves come rolling forward, storming on the neck of one another (particularly when the wind blows off sea), one would wonder that even the strongest rocks

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The War in the Air by H. G. Wells:

painful indecision amidst a roar of wrath, and dropped it at last neatly, and as if by inspiration, over the head of a peasant woman in charge of an assortment of cabbages in the market-place.

Everybody now was aware of the balloon. Everybody was either trying to dodge the grapnel or catch the trail rope. With a pendulum-like swoop through the crowd, that sent people flying right and left the grapnel came to earth again, tried for and missed a stout gentleman in a blue suit and a straw hat, smacked away a trestle from under a stall of haberdashery, made a cyclist soldier in knickerbockers leap like a chamois, and secured itself uncertainly among the hind-legs of a sheep--which

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Allan Quatermain by H. Rider Haggard:

There were yet two minutes, and I employed it in hobbling up and down to try and relieve my stiffness, and in inspecting the condition of the horses. My mare, gallant animal though she was, was evidently much distressed; she hung her head, and her eye looked sick and dull; but Daylight, Nyleptha's glorious horse -- who, if he is served aright, should, like the steeds who saved great Rameses in his need, feed for the rest of his days out of a golden manger -- was still comparatively speaking fresh, notwithstanding the fact that he had had by far the heavier weight to carry. He was 'tucked up', indeed, and his legs were weary, but his eye was bright and clear, and he held his shapely head up and gazed out into the darkness round him in a way that seemed to say that whoever failed he was good for those five-and-forty miles that yet lay between us and Milosis. Then Umslopogaas helped me into the saddle and -- vigorous old savage that he was! -- vaulted into his own without touching a stirrup, and we were off once more, slowly at first, till the horses got into their stride, and then more swiftly. So we passed over another ten miles, and then came a long, weary rise of some six or seven miles, and three times did my poo


Allan Quatermain