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Today's Stichomancy for Jennifer Aniston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When the Sleeper Wakes by H. G. Wells:

the ladder again, and was thrust by his conductor and helped up by those above, and then he was standing on something hard and cold and slippery outside the ventilating funnel.

He shivered. He was aware of a great difference in the temperature. Half a dozen men stood about him, and light flakes of snow touched hands and face and melted. For a moment it was dark, then for a flash a ghastly violet white, and then everything was dark again.

He saw he had come out upon the roof of the vast


When the Sleeper Wakes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

was multivalve; he could love a dozen at once in various modes and gradations, press a dozen hands in a day, gaze into a dozen pair of eyes with unfeigned tenderness; while the last pair wept for him, he was looking into the next. In truth, he loved to explore those sweet depths; humanity is the highest thing to investigate, he said, and the proper study of mankind is woman. Woman needs to be studied while under the influence of emotion; let us therefore have the emotions. This was the reason he gave to himself; but this refined Mormonism of the heart was not based on reason, but on temperament and habit. In such matters logic is only for the by-standers.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Theaetetus by Plato:

reduced to mere words, they seem to have exercised a far wider influence in the cities of Ionia (where the people 'were mad about them') than in the life-time of Heracleitus--a phenomenon which, though at first sight singular, is not without a parallel in the history of philosophy and theology.

It is this perverted form of the Heraclitean philosophy which is supposed to effect the final overthrow of Protagorean sensationalism. For if all things are changing at every moment, in all sorts of ways, then there is nothing fixed or defined at all, and therefore no sensible perception, nor any true word by which that or anything else can be described. Of course Protagoras would not have admitted the justice of this argument any more

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Life of the Spider by J. Henri Fabre:

where it suits her and waits until the other end, wafted by the wind, has fastened its loop to the adjacent twigs.

The desired result may be very slow in coming. It does not tire the unfailing patience of the Epeira, but it soon wears out mine. And it has happened to me sometimes to collaborate with the Spider. I pick up the floating loop with a straw and lay it on a branch, at a convenient height. The foot-bridge erected with my assistance is considered satisfactory, just as though the wind had placed it. I count this collaboration among the good actions standing to my credit.

Feeling her thread fixed, the Epeira runs along it repeatedly, from


The Life of the Spider