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Today's Stichomancy for Jennifer Connelly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Deputy of Arcis by Honore de Balzac:

nothing serious. After letting him talk in this discourteous way for some little time, I thought it was time to put an end to the scene, so I said in a rather peremptory tone:--

"As I wanted to sleep at night, I went to the school in a pelting rain; I came back by moonlight; and I beg you to remark that monsieur, who was so good as to escort me, has come upstairs to bid you good- bye, because he leaves Paris to-morrow morning."

I have habitually enough power over Monsieur de l'Estorade to make this call to order effective; but I saw that my husband was displeased, and that instead of having made Monsieur Dorlange an easy diversion, I had called down upon his head the ill-humor of my ogre,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Long Odds by H. Rider Haggard:

great teeth had not crushed my thigh-bone; but I was losing a great deal of blood, and had it not been for the timely arrival of Tom, with whose aid I loosed the handkerchief from my wrist and tied it round my leg, twisting it tight with a stick, I think that I should have bled to death.

"Well, it was a just reward for my folly in trying to tackle a family of lions single-handed. The odds were too long. I have been lame ever since, and shall be to my dying day; in the month of March the wound always troubles me a great deal, and every three years it breaks out raw.

"I need scarcely add that I never traded the lot of ivory at Sikukuni's.


Long Odds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Enemies of Books by William Blades:

spots which so often disfigure prints and "livres de luxe." Especially it attacks books printed in the early part of this century, when paper-makers had just discovered that they could bleach their rags, and perfectly white paper, well pressed after printing, had become the fashion. This paper from the inefficient means used to neutralise the bleach, carried the seeds of decay in itself, and when exposed to any damp soon became discoloured with brown stains. Dr. Dibdin's extravagant bibliographical works are mostly so injured; and although the Doctor's bibliography is very incorrect, and his spun-out inanities and wearisome affectations often annoy one, yet his books are so beautifully illustrated, and he is so full

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

cliff wall, with Wolf trotting before her. Hare bestrode Noddle. August, waving good-bye to his women-folk, started the train of burros after Mescal.

How they would be able to climb the face of that steep cliff puzzled Hare. Upon nearer view he discovered the yard-wide trail curving upward in cork-screw fashion round a projecting corner of cliff. The stone was a soft red shale, and the trail had been cut in it at a steep angle. It was so steep that the burros appeared to be climbing straight up. Noddle pattered into it, dropped his head and his long ears and slackened his pace to patient plodding. August walked in the rear.

The first thing that struck Hare was the way the burros in front of him


The Heritage of the Desert