| The first excerpt represents the past or something you must release, and is drawn from Mansfield Park by Jane Austen: were preparing to remove, as usual, upstairs, they were
stopped by the knock of a visitor, whom they felt they could
not avoid, from Rebecca's alertness in going to the door,
a duty which always interested her beyond any other.
It was a gentleman's voice; it was a voice that Fanny
was just turning pale about, when Mr. Crawford walked
into the room.
Good sense, like hers, will always act when really
called upon; and she found that she had been able to name
him to her mother, and recall her remembrance of the name,
as that of "William's friend," though she could not
 Mansfield Park |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man against the Sky by Edwin Arlington Robinson: And if I'd rather live than weep
Meanwhile, do you find that surprising?
Why, bless my soul, the man's asleep!
That's good. The sun will soon be rising."
Ben Jonson Entertains a Man from Stratford
You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass's head in Fairyland
As he would add a shilling to more shillings,
All most harmonious, -- and out of his
Miraculous inviolable increase
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The third excerpt represents the future or something you must embrace, and is drawn from Menexenus by Plato: public funeral?
SOCRATES: Yes, I know. And whom did they choose?
MENEXENUS: No one; they delayed the election until tomorrow, but I believe
that either Archinus or Dion will be chosen.
SOCRATES: O Menexenus! Death in battle is certainly in many respects a
noble thing. The dead man gets a fine and costly funeral, although he may
have been poor, and an elaborate speech is made over him by a wise man who
has long ago prepared what he has to say, although he who is praised may
not have been good for much. The speakers praise him for what he has done
and for what he has not done--that is the beauty of them--and they steal
away our souls with their embellished words; in every conceivable form they
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