| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Inaugural Address by John F. Kennedy: come not from the generosity of the state but from the hand of God.
We dare not forget today that we are the heirs of that first revolution.
Let the word go forth from this time and place. . .to friend and foe alike. . .
that the torch has been passed to a new generation of Americans. . .
born in this century, tempered by war, disciplined by a hard and bitter peace,
proud of our ancient heritage. . .and unwilling to witness or permit the slow
undoing of those human rights to which this nation has always been committed,
and to which we are committed today. . .at home and around the world.
Let every nation know. . .whether it wishes us well or ill. . .
that we shall pay any price, bear any burden, meet any hardship,
support any friend, oppose any foe, to assure the survival and
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft: volume. This much he could not civilly refrain from telling the
librarian - the same erudite Henry Armitage (A.M. Miskatonic,
Ph.D. Princeton, Litt.D. Johns Hopkins) who had once called at
the farm, and who now politely plied him with questions. He was
looking, he had to admit, for a kind of formula or incantation
containing the frightful name Yog-Sothoth, and it puzzled him
to find discrepancies, duplications, and ambiguities which made
the matter of determination far from easy. As he copied the formula
he finally chose, Dr Armitage looked involuntarily over his shoulder
at the open pages; the left-hand one of which, in the Latin version,
contained such monstrous threats to the peace and sanity of the
 The Dunwich Horror |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde: archaeologist, and an admirable teacher who, while he valued the
intellectual side of education, did not forget the importance of
early moral training. It was under Mr. Burney that he first
developed his talent as an artist, and Mr. Hazlitt tells us that a
drawing-book which he used at school is still extant, and displays
great talent and natural feeling. Indeed, painting was the first
art that fascinated him. It was not till much later that he sought
to find expression by pen or poison.
Before this, however, he seems to have been carried away by boyish
dreams of the romance and chivalry of a soldier's life, and to have
become a young guardsman. But the reckless dissipated life of his
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.: intensity of mental anguish, as detail by detail I recalled the
weird horror of the night. Had it really happened,--was the thing
still there,--or was it all a ghastly nightmare? It was some
minutes before I dared either to move or look up, and then
fearfully I raised my head. Before me stretched the smooth white
coverlet, faintly bright with yellow sunshine. Weak and giddy, I
struggled to my feet, and, steadying myself against the foot of the
bed, with clenched teeth and bursting heart, forced my gaze round
to the other end. The pillow lay there, bare and unmarked save for
what might well have been the pressure of my own head. My breath
came more freely, and I turned to the window. The sun had just
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