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Today's Stichomancy for Jennifer Garner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

sometimes the play.

Mr. Pontellier left his home in the mornings between nine and ten o'clock, and rarely returned before half-past six or seven in the evening--dinner being served at half-past seven.

He and his wife seated themselves at table one Tuesday evening, a few weeks after their return from Grand Isle. They were alone together. The boys were being put to bed; the patter of their bare, escaping feet could be heard occasionally, as well as the pursuing voice of the quadroon, lifted in mild protest and entreaty. Mrs. Pontellier did not wear her usual Tuesday reception gown; she was in ordinary house dress. Mr. Pontellier, who was


Awakening & Selected Short Stories
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

morning. And then he had another thought; and it was a strange one, that made his cheeks to burn.

"I must make sure of this," thought he.

So he closed the door, and went softly round the corner again, and then came noisily in, as though he were but now returned. And, lo! by the time he opened the front door no bottle was to be seen; and Kokua sat in a chair and started up like one awakened out of sleep.

"I have been drinking all day and making merry," said Keawe. "I have been with good companions, and now I only come back for money, and return to drink and carouse with them again."

Both his face and voice were as stern as judgment, but Kokua was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from God The Invisible King by H. G. Wells:

windows by which we may look out of the prison of self, but God is the open door by which we freely go. And God never dies, nor disappoints, nor betrays.

The love of a woman and a man has usually, and particularly in its earlier phases of excitement, far too much desire, far too much possessiveness and exclusiveness, far too much distrust or forced trust, and far too great a kindred with jealousy to be like the love of God. The former is a dramatic relationship that drifts to a climax, and then again seeks presently a climax, and that may be satiated or fatigued. But the latter is far more like the love of comrades, or like the love of a man and a woman who have loved and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Cruise of the Jasper B. by Don Marquis:

tunnel HAD to be there!"

"It explains everything," said Cleggett. "But a tunnel into MY ship!"

And, in truth, for a moment he felt disappointed in the Jasper B.

A tunnel is all very well leading from the basement of a house, or extending backward from a cave; but Cleggett felt that it was scarcely a dignified sort of arrangement, nautically speaking, for a ship to have leading from its hold.

It seemed, somehow, to stamp the Jasper B. indelibly as a thing of the land rather than as the gallant creature of piping winds and following seas. Could the Jasper B., a bone in her teeth and