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Today's Stichomancy for Jennifer Lopez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lesser Hippias by Plato:

the Symposium in which Alcibiades describes himself as self-convicted by the words of Socrates. For the disparaging manner in which Schleiermacher has spoken of this dialogue there seems to be no sufficient foundation. At the same time, the lesson imparted is simple, and the irony more transparent than in the undoubted dialogues of Plato. We know, too, that Alcibiades was a favourite thesis, and that at least five or six dialogues bearing this name passed current in antiquity, and are attributed to contemporaries of Socrates and Plato. (1) In the entire absence of real external evidence (for the catalogues of the Alexandrian librarians cannot be regarded as trustworthy); and (2) in the absence of the highest marks either of poetical or philosophical excellence; and (3) considering that we

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac:

"that I am nothing more than a woman to him?"

She raised her head proudly; and as she glanced at Frenhofer with flashing eyes she saw her lover gazing once more at the picture he had formerly taken for a Giorgione.

"Ah!" she cried, "let us go in; he never looked at me like that!"

"Old man!" said Poussin, roused from his meditation by Gillette's voice, "see this sword. I will plunge it into your heart at the first cry of that young girl. I will set fire to your house, and no one shall escape from it. Do you understand me?"

His look was gloomy and the tones of his voice were terrible. His attitude, and above all the gesture with which he laid his hand upon

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Market-Place by Harold Frederic:

and with only now and again a passer-by moving across the dim vista, masked beneath an umbrella, or bent forward with chin buried in turned-up collar. In the doorway outside the sulky boy stamped his feet and slapped his sides with his arms in pantomimic mutiny against the task of guarding the book-stalls' dripping covers, which nobody would be mad enough to pause over, much less to lift.

"I don't know but I'd ought to let the boy bring in the books and go home," she said, as their vague gaze was attracted by his gestures. "But it isn't three yet--it seems ridiculous to close up. Still, if you'd be more comfortable upstairs"


The Market-Place
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bucolics by Virgil:

Begin, if aught you have. The Muses made Me too a singer; I too have sung; the swains Call me a poet, but I believe them not: For naught of mine, or worthy Varius yet Or Cinna deem I, but account myself A cackling goose among melodious swans.

MOERIS 'Twas in my thought to do so, Lycidas; Even now was I revolving silently If this I could recall- no paltry song: "Come, Galatea, what pleasure is 't to play