The first excerpt represents the past or something you must release, and is drawn from Maid Marian by Thomas Love Peacock: of all remonstrance; followed it up by contempt of the king's mandates,
and by armed resistance to his power, in defiance of all authority;
and combined with it the resolute withholding of payment of certain moneys
to the abbot of Doncaster, in denial of all law; and has thus made himself the
declared enemy of church and state, and all for being too fond of venison."
And the knight helped himself to half a pasty.
"A heinous offender," said a little round oily friar,
appropriating the portion of pasty which Sir Ralph had left.
"The earl is a worthy peer," said the tall friar whom we have already
mentioned in the chapel scene, "and the best marksman in England."
"Why this is flat treason, brother Michael," said the little round friar,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Parmenides by Plato: Certainly not.
And therefore whether we take being and the other, or being and the one, or
the one and the other, in every such case we take two things, which may be
rightly called both.
How so.
In this way--you may speak of being?
Yes.
And also of one?
Yes.
Then now we have spoken of either of them?
Yes.
|
The third excerpt represents the future or something you must embrace, and is drawn from Polly of the Circus by Margaret Mayo: to keep back the tears. " 'For whither thou goest, I will go,
and where thou lodgest, I will lodge. Thy people shall be my
people, and thy God my' "-- She stopped.
"That's right, go on," said Douglas, striving to control the
unsteadiness in his own voice.
"Where thou diest, will I die' "--her arms went out blindly.
"Oh, you won't send me away, will you?" she sobbed. "I don't
want to learn anything else just--except--from you." She covered
her face and slipped, a little, broken heap at his feet.
In an instant the pastor's strong arms were about her, his
stalwart body was supporting her. "You shan't go away. I won't
|