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Today's Stichomancy for Jerry Lewis

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy:

and a musket, that he might pass as a sentinel, and then placed him every night throughout one winter at the doors of certain ladies of quality whom he suspected of carrying on intrigues.

In this disguise the footman readily passed as a soldier stationed at his post by command of his officer, and was thus enabled to note what gentlemen called on the suspected ladies at unreasonable but not unfashionable hours. Accordingly, my lord made many surprising discoveries, and when he had gained sufficient information on such delicate points, he quietly retired into the country, that he might with greater ease devote himself to the composition of those lively verses which he

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moby Dick by Herman Melville:

speechless processions of slow-pacing pilgrims, down-cast and hooded with new-fallen snow? Or, to the unread, unsophisticated Protestant of the Middle American States, why does the passing mention of a White Friar or a White Nun, evoke such an eyeless statue in the soul?

Or what is there apart from the traditions of dungeoned warriors and kings (which will not wholly account for it) that makes the White Tower of London tell so much more strongly on the imagination of an untravelled American, than those other storied structures, its neighbors--the Byward Tower, or even the Bloody? And those sublimer towers, the White Mountains of New Hampshire, whence, in peculiar moods, comes that gigantic ghostliness over the soul at the bare


Moby Dick
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Bunner Sisters by Edith Wharton:

Providence to pine in such a narrow life: in the original plan of things, she had been meant to marry and have a baby, to wear silk on Sundays, and take a leading part in a Church circle. Hitherto opportunity had played her false; and for all her superior aspirations and carefully crimped hair she had remained as obscure and unsought as Ann Eliza. But the elder sister, who had long since accepted her own fate, had never accepted Evelina's. Once a pleasant young man who taught in Sunday-school had paid the younger Miss Bunner a few shy visits. That was years since, and he had speedily vanished from their view. Whether he had carried with him any of Evelina's illusions, Ann Eliza had never discovered; but his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Barnaby Rudge by Charles Dickens:

slowly repaired to Mrs Varden's room; where that lady, lying all pale and languid on her couch, was refreshing herself with a sight of her last new bonnet, which Miggs, as a means of calming her scattered spirits, displayed to the best advantage at her bedside.

'Here's master, mim,' said Miggs. 'Oh, what a happiness it is when man and wife come round again! Oh gracious, to think that him and her should ever have a word together!' In the energy of these sentiments, which were uttered as an apostrophe to the Heavens in general, Miss Miggs perched the bonnet on the top of her own head, and folding her hands, turned on her tears.

'I can't help it,' cried Miggs. 'I couldn't, if I was to be


Barnaby Rudge