| The first excerpt represents the past or something you must release, and is drawn from A Collection of Beatrix Potter by Beatrix Potter: mouse! I cannot think what she
has done with it? I heard Ribby
coming and I had to run out by the
back door!"
Duchess went home and brushed
her beautiful black coat; and then
she picked a bunch of flowers in
her garden as a present for Ribby;
and passed the time until the clock
struck four.
Ribby--having assured herself
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from La Grenadiere by Honore de Balzac: the child under the mother's heart, that she may learn that for a long
time to come her heart must be its home. And yet--there are mothers
cruelly slighted, mothers whose sublime, pathetic tenderness meets
only a harsh return, a hideous ingratitude which shows how difficult
it is to lay down hard-and-fast rules in matters of feeling.
Here, not one of all the thousand heart ties that bind child and
mother had been broken. The three were alone in the world; they lived
one life, a life of close sympathy. If Mme. Willemsens was silent in
the morning, Louis and Marie would not speak, respecting everything in
her, even those thoughts which they did not share. But the older boy,
with a precocious power of thought, would not rest satisfied with his
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The third excerpt represents the future or something you must embrace, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis: beyond. Holmes kept his back turned to her, lighting his cigar;
the other men watched her eagerly.
"What do you think, Vandyke?" demanded Knowles. "How will she
do?"
"Do for what?"--resuming his lazy walk. "You talk as if she were
a machine. It is the way with modern reformers. Men are so many
ploughs and harrows to work on `the classes.' Do for what?"
Knowles flushed hotly.
"The work the Lord has left for her. Do you mean to say there is
none to do,--you, pledged to Missionary labour?"
The young man's face coloured.
 Margret Howth: A Story of To-day |