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Today's Stichomancy for Jet Li

The first excerpt represents the past or something you must release, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

that it is simple and rhythmic and children like it. This rhyme, however, in the original, is equal to "Jack and Jill" in rhythm and rhyme, has as good a story, exhibits a more scientific tumble, with a less tragic result, and contains as good a moral as that found in "Jack Sprat." It is as popular all over North China as "Jack and Jill" is throughout Great Britain and America. Ask any Chinese child if he knows the "Little Mouse," and he reels it off to you as readily as an English-speaking child does "Jack and Jill." Does he like it? It is a part of his life. Repeat it to him, giving one word

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

deficient in variety, or fertility in their subjects, or in boldness, vivacity, or power of generalization in their thoughts, they always displayed exquisite care and skill in their details. Nothing in their works seems to be done hastily or at random: every line is written for the eye of the connoisseur, and is shaped after some conception of ideal beauty. No literature places those fine qualities, in which the writers of democracies are naturally deficient, in bolder relief than that of the ancients; no literature, therefore, ought to be more studied in democratic ages. This study is better suited than any other to combat the literary defects inherent in those ages; as for their

The third excerpt represents the future or something you must embrace, and is drawn from The Last War: A World Set Free by H. G. Wells:

edifices already burnt rose, pierced by rows of window sockets against the red-lit mist.

Every step farther would have been as dangerous as a descent within the crater of an active volcano. These spinning, boiling bomb centres would shift or break unexpectedly into new regions, great fragments of earth or drain or masonry suddenly caught by a jet of disruptive force might come flying by the explorer's head, or the ground yawn a fiery grave beneath his feet. Few who adventured into these areas of destruction and survived attempted any repetition of their experiences. There are stories of puffs of luminous, radio-active vapour drifting sometimes scores of


The Last War: A World Set Free