| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Red Inn by Honore de Balzac: suddenly interrupting himself; "and now, twelve men, a sub-lieutenant
shouting 'Carry-arms, aim, fire!' a roll of drums, and infamy! that's
my future now. Oh! there must be a God, or it would all be too
senseless."
Then he took me in his arms and pressed me to him with all his
strength.
"You are the last man, the last friend to whom I can show my soul. You
will be set at liberty, you will see your mother! I don't know whether
you are rich or poor, but no matter! you are all the world to me. They
won't fight always, 'ceux-ci.' Well, when there's peace, will you go
to Beauvais? If my mother has survived the fatal news of my death, you
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayor of Casterbridge by Thomas Hardy: his crimson mouth, and a target-like circling of his eyes.
Deliberation caused sundry attacks on the moss of adjoining
walls with the end of his stick, a change of his hat from
the horizontal to the less so; a sense of tediousness
announced itself in a lowering of the person by spreading
the knees to a lozenge-shaped aperture and contorting the
arms. Chicanery, subterfuge, had hardly a place in the
streets of this honest borough to all appearance; and it was
said that the lawyers in the Court House hard by
occasionally threw in strong arguments for the other side
out of pure generosity (though apparently by mischance) when
 The Mayor of Casterbridge |