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Today's Stichomancy for Jimi Hendrix

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tapestried Chamber by Walter Scott:

of conviction that it cut short all the usual commentaries which are made on such stories. Lord Woodville never once asked him if he was sure he did not dream of the apparition, or suggested any of the possibilities by which it is fashionable to explain supernatural appearances as wild vagaries of the fancy, or deceptions of the optic nerves, On the contrary, he seemed deeply impressed with the truth and reality of what he had heard; and, after a considerable pause regretted, with much appearance of sincerity, that his early friend should in his house have suffered so severely.

"I am the more sorry for your pain, my dear Browne," he

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

MacMaster's book. James had so long been steeped in that penetrating personality that he fairly exuded it. Many of his very phrases, mannerisms, and opinions were impressions that he had taken on like wet plaster in his daily contact with Treffinger. Inwardly he was lined with cast-off epitheliums, as outwardly he was clad in the painter's discarded coats. If the painter's letters were formal and perfunctory, if his expressions to his friends had been extravagant, contradictory, and often apparently insincere--still, MacMaster felt himself not entirely without authentic sources. It was James who possessed Treffinger's legend; it was with James that he had laid aside his


The Troll Garden and Selected Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Far From the Madding Crowd by Thomas Hardy:

"Did any one tell you to speak to me like this?" "Nobody at all." "Then it appears to me that Sergeant Troy does not concern us here." she said, intractably." Yet I must say that Sergeant Troy is an educated man, and quite worthy of any woman. He is well born." "His being higher in learning and birth than the ruck o' soldiers is anything but a proof of his worth. It show's his course to be down'ard." "I cannot see what this has to do with our conversa- tion. Mr. Troy's course is not by any means downward;


Far From the Madding Crowd
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Black Beauty by Anna Sewell:

just look at things quietly, and see that there was nothing to hurt me, it would have been all right, and I should have got used to them. One day an old gentleman was riding with him, and a large piece of white paper or rag blew across just on one side of me. I shied and started forward. My master as usual whipped me smartly, but the old man cried out, `You're wrong! you're wrong! You should never whip a horse for shying; he shies because he is frightened, and you only frighten him more and make the habit worse.' So I suppose all men don't do so. I am sure I don't want to shy for the sake of it; but how should one know what is dangerous and what is not, if one is never allowed to get used to anything?