The first excerpt represents the past or something you must release, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson: were quite as bright as jewels, only larger - it came over me she
was a kind of countess really, dressed to hear great singers at a
concert, and no even mate for a poor trader like myself.
She was the first in the house; and while I was still without I saw
a match flash and the lamplight kindle in the windows. The station
was a wonderful fine place, coral built, with quite a wide
verandah, and the main room high and wide. My chests and cases had
been piled in, and made rather of a mess; and there, in the thick
of the confusion, stood Uma by the table, awaiting me. Her shadow
went all the way up behind her into the hollow of the iron roof;
she stood against it bright, the lamplight shining on her skin. I
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Droll Stories, V. 1 by Honore de Balzac: out their abdominal protuberances, the good monarch laughed with them,
and they joked and disputed, and spat, and blew their noses, and
kicked up just as though the king had not been with them. Then so much
victuals had been taken on board, so many flagons drained and stews
spoiled, that the faces of the guests were the colour of cardinals
gowns, and their doublets appeared ready to burst, since they were
crammed with meat like Troyes sausages from the top to the bottom of
their paunches. Going into the saloon again, they broke into a profuse
sweat, began to blow, and to curse their gluttony. The king sat
quietly apart; each of them was the more willing to be silent because
all their forces were required for the intestinal digestion of the
Droll Stories, V. 1 |
The third excerpt represents the future or something you must embrace, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant: "You are mistaken, my dear fellow," Jules de C----replied. "It is
like a romance, but with this confounded Nihilism, everything is
the same; it would be a mistake to trust to it. For instance, the
manner in which I made Bakounine's acquaintance--"
They knew that he was a good narrator, and it was no secret that
his life had been an adventurous one, so they drew closer to him,
and listened intently. This is what he told them:
II
"I met Countess Nioska W----, that strange woman who was usually
called Countess Satan, in Naples. I immediately attached myself
to her out of curiosity, and soon fell in love with her. Not that
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