| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac: brother-artists, who, at the present moment holds a place, as the
saying is, "in the sun," and who suggested the rather bitter
reflections by which this sketch of his life is introduced,--
reflections that are applicable to many other individuals of the tribe
of artists.
In 1832, Fougeres lived in the rue de Navarin, on the fourth floor of
one of those tall, narrow houses which resemble the obelisk of Luxor,
and possess an alley, a dark little stairway with dangerous turnings,
three windows only on each floor, and, within the building, a
courtyard, or, to speak more correctly, a square pit or well. Above
the three or four rooms occupied by Grassou of Fougeres was his
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Through the Looking-Glass by Lewis Carroll: Snap-dragon-flies!'
`Crawling at your feet,' said the Gnat (Alice drew her feet
back in some alarm), `you may observe a Bread-and-Butterfly. Its
wings are thin slices of Bread-and-butter, its body is a crust,
and its head is a lump of sugar.'
`And what does IT live on?'
`Weak tea with cream in it.'
A new difficulty came into Alice's head. `Supposing it
couldn't find any?' she suggested.
`Then it would die, of course.'
`But that must happen very often,' Alice remarked thoughtfully.
 Through the Looking-Glass |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shakespeare's Sonnets by William Shakespeare: Injurious distance should not stop my way;
For then despite of space I would be brought,
From limits far remote, where thou dost stay.
No matter then although my foot did stand
Upon the farthest earth remov'd from thee;
For nimble thought can jump both sea and land,
As soon as think the place where he would be.
But, ah! thought kills me that I am not thought,
To leap large lengths of miles when thou art gone,
But that so much of earth and water wrought,
I must attend, time's leisure with my moan;
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Riverman by Stewart Edward White: few moments later the call sounded, and Orde took a message that
caused him to look grave and to whistle gently with surprise. He
ate supper with Bobby. About star-time he took his hat and walked
slowly down the street beneath the velvet darkness of the maples.
At Newmark's he turned in between the oleanders.
Mallock answered his ring.
"No, sir, Mr. Newmark is out, sir," said Mallock. "I'll tell him
you called, sir," and started respectfully but firmly to close the
door.
But Orde thrust his foot and knee in the opening.
"I'll come in and wait," said he quietly.
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