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Today's Stichomancy for Joan of Arc

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

orchestra breaks into the pretty theme in the first act of The Rhine Gold at the moment when the sunrays strike down through the water and light up the glittering treasure, "hitherto invisible. The reference of the strange little theme of the wishing cap is equally manifest from the first, since the spectator's attention is wholly taken up with the Tarnhelm and its magic when the theme is first pointedly uttered by the orchestra. The sword theme is introduced at the end of The Rhine Gold to express Wotan's hero inspiration; and I have already mentioned that Wagner, unable, when it came to practical stage management, to forego the appeal to the eye as well as to the thought, here made Wotan pick up a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

unanimously declare that marriage and the birth of a first child would undoubtedly restore her to perfect health. You can readily understand that the remedy is too easy and agreeable not to be attempted."

"Then," said Cerizet, "it is to Mademoiselle Lydie de la Peyrade, his cousin, that you wish to marry Theodose."

"You have said it," returned du Portail, "and you must not think that our young friend, if he accepts the marriage, will be called upon to show a gratuitous devotion. Lydie is very agreeable in person; she has talents, a charming disposition, and she can bring to bear, in her husband's interest, a strong influence in public life. She has, moreover, a pretty fortune, consisting of what her mother left her,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Georgics by Virgil:

Rush to the raging fire: love sways them all. Never than then more fiercely o'er the plain Prowls heedless of her whelps the lioness: Nor monstrous bears such wide-spread havoc-doom Deal through the forests; then the boar is fierce, Most deadly then the tigress: then, alack! Ill roaming is it on Libya's lonely plains. Mark you what shivering thrills the horse's frame, If but a waft the well-known gust conveys? Nor curb can check them then, nor lash severe, Nor rocks and caverned crags, nor barrier-floods,


Georgics
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

"Your own room--which was back of the great Throne Room--has been vacant ever since you left us. Would you like it again?"

"Yes, indeed!" returned the little man. "It will seem like being at home again, for I lived in that room for many, many years."

He knew the way to it, and a servant followed him, carrying his satchel. Zeb was also escorted to a room--so grand and beautiful that he almost feared to sit in the chairs or lie upon the bed, lest he might dim their splendor. In the closets he discovered many fancy costumes of rich velvets and brocades, and one of the attendants told him to dress himself in any of the clothes that pleased him and to be prepared to dine with the Princess and Dorothy in an hour's time.


Dorothy and the Wizard in Oz