| The first excerpt represents the past or something you must release, and is drawn from The Great Gatsby by F. Scott Fitzgerald: as she turned toward him and he kissed her curious and lovely mouth.
She had caught a cold, and it made her voice huskier and more charming
than ever, and Gatsby was overwhelmingly aware of the youth and mystery
that wealth imprisons and preserves, of the freshness of many clothes,
and of Daisy, gleaming like silver, safe and proud above the hot
struggles of the poor.
"I can't describe to you how surprised I was to find out I loved her,
old sport. I even hoped for a while that she'd throw me over, but she
didn't, because she was in love with me too. She thought I knew a lot
because I knew different things from her. . . . Well, there I was,
'way off my ambitions, getting deeper in love every minute, and
 The Great Gatsby |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Travels of Sir John Mandeville by Sir John Mandeville: grievous point; as men must needs that be in company, dwelling
amongst so many a diverse folk of diverse sect and of belief, as I
have been.
And amongst all I shewed him this treatise, that I had made after
information of men that knew of things that I had not seen myself,
and also of marvels and customs that I had seen myself, as far as
God would give me grace; and besought his holy fatherhood, that my
book might be examined and corrected by advice of his wise and
discreet council. And our holy father, of his special grace,
remitted my book to be examined and proved by the advice of his
said counsel. By the which my book was proved for true, insomuch,
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The third excerpt represents the future or something you must embrace, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin: though they may not at the time lead to any exertion, our whole system
is nevertheless disturbed through the force of habit and association.
Other emotions and sensations are called depressing, because they
have not habitually led to energetic action, excepting just at first,
as in the case of extreme pain, fear, and grief, and they have ultimately
caused complete exhaustion; they are consequently expressed chiefly
by negative signs and by prostration. Again, there are other emotions,
such as that of affection, which do not commonly lead to action of any kind,
and consequently are not exhibited by any strongly marked outward signs.
Affection indeed, in as far as it is a pleasurable sensation,
excites the ordinary signs of pleasure.
 Expression of Emotion in Man and Animals |