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Today's Stichomancy for Joel Grey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.

I believe that on the first night I went to Gatsby's house I was one of the few guests who had actually been invited. People were not invited--they went there. They got into automobiles which bore them out to Long Island, and somehow they ended up at Gatsby's door. Once there they were introduced by somebody who knew Gatsby, and after that they conducted themselves according to the rules of behavior associated with amusement parks. Sometimes they came and went without having met Gatsby at all, came for the party with a simplicity of heart that was its own


The Great Gatsby
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kidnapped by Robert Louis Stevenson:

house, Mr. Rankeillor and I arm in arm, and Torrance following behind with the deed in his pocket and a covered basket in his hand. All through the town, the lawyer was bowing right and left, and continually being button-holed by gentlemen on matters of burgh or private business; and I could see he was one greatly looked up to in the county. At last we were clear of the houses, and began to go along the side of the haven and towards the Hawes Inn and the Ferry pier, the scene of my misfortune. I could not look upon the place without emotion, recalling how many that had been there with me that day were now no more: Ransome taken, I could hope, from the evil to come; Shuan passed where I dared not


Kidnapped
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays & Lectures by Oscar Wilde:

create history by the deductive method and to proceed from A PRIORI psychological principles to discover the governing laws of the apparent chaos of political life.

There have been many attempts since Plato to deduce from a single philosophical principle all the phenomena which experience subsequently verifies for us. Fichte thought he could predict the world-plan from the idea of universal time. Hegel dreamed he had found the key to the mysteries of life in the development of freedom, and Krause in the categories of being. But the one scientific basis on which the true philosophy of history must rest is the complete knowledge of the laws of human nature in all its

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays & Lectures by Oscar Wilde:

not been a profitless investigation into modes and forms of thought now antiquated and of no account. The only spirit which is entirely removed from us is the mediaeval; the Greek spirit is essentially modern. The introduction of the comparative method of research which has forced history to disclose its secrets belongs in a measure to us. Ours, too, is a more scientific knowledge of philology and the method of survival. Nor did the ancients know anything of the doctrine of averages or of crucial instances, both of which methods have proved of such importance in modern criticism, the one adding a most important proof of the statical elements of history, and exemplifying the influences of all