| The first excerpt represents the past or something you must release, and is drawn from Twice Told Tales by Nathaniel Hawthorne: through the dusk. He's been to Woodfield this afternoon,
attending a sheriff's sale there. The old man generally shakes
hands and has a little chat with me; but to-night, he nodded,--as
if to say, 'Charge my toll,' and jogged on; for wherever he goes,
he must always be at home by eight o'clock."
"So they tell me," said Dominicus.
"I never saw a man look so yellow and thin as the squire does,"
continued the toll-gatherer. "Says I to myself, to-night, he's
more like a ghost or an old mummy than good flesh and blood."
The pedlar strained his eyes through the twilight, and could just
discern the horseman now far ahead on the village road. He seemed
Twice Told Tales |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: was as easy for Marx to hold up Thiers as the most execrable of
living scoundrels and to put upon Gallifet the brand that still
makes him impossible in French politics as it was for Victor Hugo
to bombard Napoleon III from his paper battery in Jersey. It was
also easy to hold up Felix Pyat and Delescluze as men of much
loftier ideals than Thiers and Gallifet; but the one fact that
could not be denied was that when it came to actual shooting, it
was Gallifet who got Delescluze shot and not Delescluze who got
Gallifet shot, and that when it came to administering the affairs
of France, Thiers could in one way or another get it done, whilst
Pyat could neither do it nor stop talking and allow somebody else
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The third excerpt represents the future or something you must embrace, and is drawn from Ann Veronica by H. G. Wells: the door, the other to keep it fastened. She seized the key, and
he grasped her hand and squeezed it roughly and painfully between
the handle and the ward as she tried to turn it. His grip
twisted her wrist. She cried out with the pain of it.
A wild passion of shame and self-disgust swept over her. Her
spirit awoke in dismay to an affection in ruins, to the immense
undignified disaster that had come to them.
Abruptly she desisted, recoiled, and turned and fled up-stairs.
She made noises between weeping and laughter as she went. She
gained her room, and slammed her door and locked it as though she
feared violence and pursuit.
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