The first excerpt represents the past or something you must release, and is drawn from Arizona Nights by Stewart Edward White: looked up, met my eye, muttered something intended to be
pleasant, and walked away.
This was in December.
During the next two months he was a good deal about town, mostly
doing odd jobs. I saw him off and on. He always spoke to me as
pleasantly as he knew how, and once made some sort of a bluff
about paying me back for my trouble in bringing him around.
However, I didn't pay much attention to that, being at the time
almighty busy holding down my card games.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Secret Agent by Joseph Conrad: The Chief Inspector, driven down to the ground by unfair artifices,
had elected to walk the path of unreserved openness. If he
believed firmly that to know too much was not good for the
department, the judicious holding back of knowledge was as far as
his loyalty dared to go for the good of the service. If the
Assistant Commissioner wanted to mismanage this affair nothing, of
course, could prevent him. But, on his own part, he now saw no
reason for a display of alacrity. So he answered concisely:
"It's a shop, sir."
The Assistant Commissioner, with his eyes lowered on the rag of
blue cloth, waited for more information. As that did not come he
The Secret Agent |
The third excerpt represents the future or something you must embrace, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe: matters deriving from the business of the fair. The magistrates of
the town of Cambridge are judges in this court, as being in their
jurisdiction, or they holding it by special privilege: here they
determine matters in a summary way, as is practised in those we
call Pye Powder Courts in other places, or as a Court of
Conscience; and they have a final authority without appeal.
I come now to the town and university of Cambridge; I say the town
and university, for though they are blended together in the
situation, and the colleges, halls, and houses for literature are
promiscuously scattered up and down among the other parts, and some
even among the meanest of the other buildings, as Magdalene College
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