| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Myths and Myth-Makers by John Fiske: [151] Hist. Greece, Vol. II. p. 208.
As for Wolf's objection, that the Iliad and Odyssey are too
long to have been preserved by memory, it may be met by a
simple denial. It is a strange objection indeed, coming from a
man of Wolf's retentive memory. I do not see how the
acquisition of the two poems can be regarded as such a very
arduous task; and if literature were as scanty now as in Greek
antiquity, there are doubtless many scholars who would long
since have had them at their tongues' end. Sir G. C. Lewis,
with but little conscious effort, managed to carry in his head
a very considerable portion of Greek and Latin classic
 Myths and Myth-Makers |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells: abominable in his life before.
"I shall go to Odessa alone, Billy. I'll make things all right here
before I go. . . ."
He closed the door behind him and went in a state of profound
thought to his own room. . . .
Presently Prothero came to him with a vague inopportune desire to
explain what so evidently did not need explaining. He walked about
the room trying ways of putting it, while Benham packed.
In an unaccountable way Prothero's bristling little mind seemed to
have shrunken to something sleek and small.
"I wish," he said, "you could stay for a later train and have lunch
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Weir of Hermiston by Robert Louis Stevenson: never done anything except this twopenny impotent folly with my father.
But I tell you, my lord, and I know myself, I am at least that kind of a
man - or that kind of a boy, if you prefer it - that I could die in
torments rather than that any one should suffer as that scoundrel
suffered. Well, and what have I done? I see it now. I have made a
fool of myself, as I said in the beginning; and I have gone back, and
asked my father's pardon, and placed myself wholly in his hands - and he
has sent me to Hermiston," with a wretched smile, "for life, I suppose -
and what can I say? he strikes me as having done quite right, and let me
off better than I had deserved."
"My poor, dear boy!" observed Glenalmond. "My poor dear and, if you
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Don Quixote by Miquel de Cervantes: advising you now to act as a sensible man should; only read them,
and you will see the pleasure you will derive from them. For, come,
tell me, can there be anything more delightful than to see, as it
were, here now displayed before us a vast lake of bubbling pitch
with a host of snakes and serpents and lizards, and ferocious and
terrible creatures of all sorts swimming about in it, while from the
middle of the lake there comes a plaintive voice saying: 'Knight,
whosoever thou art who beholdest this dread lake, if thou wouldst
win the prize that lies hidden beneath these dusky waves, prove the
valour of thy stout heart and cast thyself into the midst of its
dark burning waters, else thou shalt not be worthy to see the mighty
 Don Quixote |