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Today's Stichomancy for John Travolta

The first excerpt represents the past or something you must release, and is drawn from Manon Lescaut by Abbe Prevost:

illustrious example in my justification, in order to palliate my own faults.

"`I lived,' said I, `with a mistress without the solemnity of marriage. The Duke of ---- keeps two before the eyes of all Paris. M---- D---- has had one now for ten years, and loves her with a fidelity which he has never shown to his wife. Two-thirds of the men of fashion in Paris keep mistresses.

"`I certainly have on one or two occasions cheated at play. Well, the Marquis of ---- and the Count ---- have no other source of revenue. The Prince of ---- and the Duke of ---- are at the head of a gang of the same industrious order.' As for the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moran of the Lady Letty by Frank Norris:

He ceased to see things in their proportion. His new-found strength gloried in matching itself with another strength that was its equal. He fought with Moran--not as he would fight with either woman or man, or with anything human, for the matter of that. He fought with her as against some impersonal force that it was incumbent upon him to conquer--that it was imperative he should conquer if he wished to live. When she struck, he struck blow for blow, force for force, his strength against hers, glorying in that strange contest, though he never once forgot that this last enemy was the girl he loved. It was not Moran whom he fought; it was her force, her determination, her will, her

The third excerpt represents the future or something you must embrace, and is drawn from Whirligigs by O. Henry:

the swift water. On the right was a rail fence that cornered there, and followed the road and stream. Inclosed by it was the old apple orchard of the home place; the house was yet concealed by the brow of the steep hill. Inside and along the fence, pokeberries, elders, sassafras, and sumac grew high and dense. At a rustle of their branches, both Goree and Coltrane glanced up, and saw a long, yellow, wolfish face above the fence, staring at them with pale, unwinking eyes. The head quicky disappeared; there was a violent swaying of the bushes, and an ungainly figure ran up through the apple