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Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

from the ship to the boat, and we signalled away at a great rate - but no signs of life. The tests, however, make me pretty sure one wire at least is good; so I determined to lay down cable from where we were to the shore, and go to Spartivento to see what had happened there. I fear my men are ill. The night was lovely, perfectly calm; so we lay close to the boat and signals were continually sent, but with no result. This morning I laid the cable down to Fort Genois in style; and now we are picking up odds and ends of cable between the different breaks, and getting our buoys on board, &c. To-morrow I expect to leave for Spartivento.'

IV.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Second Home by Honore de Balzac:

with one finger between his little teeth, and standing in one of those childish attitudes that are so graceful because they are so perfectly natural, raised the muslin veil that hid the rosy face of a little girl sleeping on her mother's knee.

"Is Eugenie asleep, then?" said he, quite astonished. "Why is she asleep when we are awake?" he added, looking up with large, liquid black eyes.

"That only God can know," replied Caroline, with a smile.

The mother and boy gazed at the infant, only that morning baptized.

Caroline, now about four-and-twenty, showed the ripe beauty which had expanded under the influence of cloudless happiness and constant

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fantastic Fables by Ambrose Bierce:

the head of Medusa on it, she had the unhappiness to see the beautiful mortal turn to stone from catching a glimpse of it. She straightway ascended to ask Jove to restore him; but before this could be done a Sculptor and a Critic passed that way and espied him.

"This is a very bad Apollo," said the Sculptor: "the chest is too narrow, and one arm is at least a half-inch shorter than the other. The attitude is unnatural, and I may say impossible. Ah! my friend, you should see my statue of Antinous."

"In my judgment, the figure," said the Critic, "is tolerably good, though rather Etrurian, but the expression of the face is decidedly


Fantastic Fables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lost Princess of Oz by L. Frank Baum:

But the wall was soon forgotten, for in front of them were a number of quaint people who stared at them in amazement as if wondering where they had come from. Our friends forgot their good manners for a time and returned the stares with interest, for so remarkable a people had never before been discovered in all the remarkable Land of Oz. Their heads were shaped like diamonds, and their bodies like hearts. All the hair they had was a little bunch at the tip top of their diamond-shaped heads, and their eyes were very large and round, and their noses and mouths very small. Their clothing was tight fitting and of brilliant colors, being handsomely embroidered in quaint designs with gold or silver threads; but on their feet they wore


The Lost Princess of Oz