The first excerpt represents the past or something you must release, and is drawn from The Touchstone by Edith Wharton: smiling abstraction of a pretty woman to whom the social side of
married life has not lost its novelty. Glennard, with the
recklessness of a man fresh from his first financial imprudence,
encouraged her in such little extravagances as her good sense at
first resisted. Since they had come to town, he argued, they
might as well enjoy themselves. He took a sympathetic view of the
necessity of new gowns, he gave her a set of furs at Christmas,
and before the New Year they had agreed on the obligation of
adding a parlour-maid to their small establishment.
Providence the very next day hastened to justify this measure by
placing on Glennard's breakfast-plate an envelope bearing the name
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Emma by Jane Austen: I must find other people charming--one other person at least.
And I am not only, not going to be married, at present, but have
very little intention of ever marrying at all."
"Ah!--so you say; but I cannot believe it."
"I must see somebody very superior to any one I have seen yet,
to be tempted; Mr. Elton, you know, (recollecting herself,)
is out of the question: and I do not wish to see any such person.
I would rather not be tempted. I cannot really change for the better.
If I were to marry, I must expect to repent it."
"Dear me!--it is so odd to hear a woman talk so!"--
"I have none of the usual inducements of women to marry.
Emma |
The third excerpt represents the future or something you must embrace, and is drawn from Anne of Green Gables by Lucy Maud Montgomery: over a rushing turbulent stream and Cordelia, thinking they were
alone, pushed Geraldine over the brink with a wild, mocking, `Ha,
ha, ha.' But Bertram saw it all and he at once plunged into the
current, exclaiming, `I will save thee, my peerless Geraldine.'
But alas, he had forgotten he couldn't swim, and they were both
drowned, clasped in each other's arms. Their bodies were washed
ashore soon afterwards. They were buried in the one grave and
their funeral was most imposing, Diana. It's so much more romantic
to end a story up with a funeral than a wedding. As for Cordelia,
she went insane with remorse and was shut up in a lunatic asylum.
I thought that was a poetical retribution for her crime."
Anne of Green Gables |