Today's Stichomancy for Jon Stewart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

hell are revealed to me. You would not call this being made righteous. You would call it being condemned to death and hell-fire.

VERSE 20. But God is one.

God does not offend anybody, therefore He needs no mediator. But we offend God, therefore we need a mediator. And we need a better mediator than Moses. We need Christ.

VERSE 21. Is the law then against the promises of God?

Before he digressed Paul stated that the Law does not justify. Shall we then discard the Law? No, no. It supplies a certain need. It supplies men with a needed realization of their sinfulness. Now arises another question: If the Law does no more than to reveal sin, does it not oppose the promises of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Age of Innocence by Edith Wharton:

There is a good deal of drudgery, of course; but one preserves one's moral freedom, what we call in French one's quant a soi. And when one hears good talk one can join in it without compromising any opinions but one's own; or one can listen, and answer it inwardly. Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

manner. He now observed that a certain remarkable drowsiness (wholly unlike that with which the reader possibly feels himself affected) had been flung over the senses of his auditress. It was the effect, unquestionably, of the mystic gesticulations by which he had sought to bring bodily before Phoebe's perception the figure of the mesmerizing carpenter. With the lids drooping over her eyes,--now lifted for an instant, and drawn down again as with leaden weights,--she leaned slightly towards him, and seemed almost to regulate her breath by his. Holgrave gazed at her, as he rolled up his manuscript, and recognized an incipient stage of that curious psychological condition which, as he had

House of Seven Gables

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

rhetoric, and turned over in his mind how to play him some malicious trick and deliver a land, justly considered half-savage by speculators unable to get a bite of it, from the inroads of these Parisian caterpillars.

At the head of an enchanting valley, called the Valley Coquette because of its windings and the curves which return upon each other at every step, and seem more and more lovely as we advance, whether we ascend or descend them, there lived, in a little house surrounded by vineyards, a half-insane man named Margaritis. He was of Italian origin, married, but childless; and his wife took care of him with a courage fully appreciated by the neighborhood. Madame Margaritis was