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Today's Stichomancy for Jonas Salk

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 1492 by Mary Johntson:

have never been!''

I made reply, ``So be it! I would have every voyage greater than the last.'' And as they put their steeds into motion, walked behind them downhill and over sandy ways into Palos. There I found Sebastian Jaurez who signed me in. I put into my pocket the coin he gave me and drank with him a stoup of wine, and then I went to church.

It was a great shadowy church and I found it full. Jaurez piloted me to where just under pulpit were ranged my fellow mariners, a hundred plain sailormen, no great number with which to widen the world! A score or so of better station

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

"Certainly," said Drowne, marvelling, however, what possible mystery there could be in reference to an affair so open, of necessity, to the inspection of all the world as the figure-head of a vessel. "You may depend, captain, on my being as secret as the nature of the case will permit."

Captain Hunnewell then took Drowne by the button, and communicated his wishes in so low a tone that it would be unmannerly to repeat what was evidently intended for the carver's private ear. We shall, therefore, take the opportunity to give the reader a few desirable particulars about Drowne himself.

He was the first American who is known to have attempted--in a


Mosses From An Old Manse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

science which we call chemistry, and at which he worked, wandering, he says, among mines and forges, as a practical metallurgist.

He tells us--what sounds startling enough--that magic is the only preceptor which can teach the art of healing; but he means, it seems to me, only an understanding of the invisible processes of nature, in which sense an electrician or a biologist, a Faraday or a Darwin, would be a magician; and when he compares medical magic to the Cabalistic science, of which I spoke just now (and in which he seems to have believed), he only means, I think, that as the Cabala discovers hidden meaning and virtues in the text of Scripture, so ought the man of science to find them in the book of nature. But

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad:

mind; but these Gambucinos wandered alone. They knew that country before anybody had ever heard of it. They had a sort of gift for prospect- ing, and the fever of it was on them too; and they did not seem to want the gold very much. They would find some rich spot, and then turn their backs on it; pick up perhaps a little--enough for a spree--and then be off again, looking for more. They never stopped long where there were houses; they had no wife, no chick, no home, never a chum. You couldn't be friends with a Gambucino; they


To-morrow