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Today's Stichomancy for Jude Law

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

Under the cherry tree.

Pierrot plays in the garden, And all the roses know That Pierrot loves his music, But I love Pierrot.

At Night

Love said, "Wake still and think of me," Sleep, "Close your eyes till break of day," But Dreams came by and smilingly Gave both to Love and Sleep their way.

Song

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters of Two Brides by Honore de Balzac:

The style of decoration in these rooms, together with their situation, indicates that they were the old show suite of the duchesses, while the dukes must have had theirs in the wing opposite. The two suites are decorously separated by the two main blocks, as well as by the central one, which contained those vast, gloomy, resounding halls shown me by Philippe, all despoiled of their splendor, as in the days of my childhood.

Philippe grew quite confidential when he saw the surprise depicted on my countenance. For you must know that in this home of diplomacy the very servants have a reserved and mysterious air. He went on to tell me that it was expected a law would soon be passed restoring to the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Muse of the Department by Honore de Balzac:

perform all her religious duties, and we shall save her yet."

Within ten days of this meeting the Hotel de la Baudraye was shut up. The Countess, the children, and her mother, in short, the whole household, including a tutor, had gone away to Sancerre, where Dinah intended to spend the summer. She was everything that was nice to the Count, people said.

And so the Muse of Sancerre had simply come back to family and married life; but certain evil tongues declared that she had been compelled to come back, for that the little peer's wishes would no doubt be fulfilled--he hoped for a little girl.

Gatien and Monsieur Gravier lavished every care, every servile


The Muse of the Department
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

whether you get a stronger and clearer idea of Robertson the historian from Raeburn's palette or Dugald Stewart's woolly and evasive periods. And then the portraits are both signed and countersigned. For you have, first, the authority of the artist, whom you recognise as no mean critic of the looks and manners of men; and next you have the tacit acquiescence of the subject, who sits looking out upon you with inimitable innocence, and apparently under the impression that he is in a room by himself. For Raeburn could plunge at once through all the constraint and embarrassment of the sitter, and present the face, clear, open, and intelligent as at the most