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Today's Stichomancy for Julia Roberts

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and the Future by H. G. Wells:

opens the agreeable prospect of a mercantile struggle, a bitter freight war and a war of Navigation Acts for the ultimate control in the interests of Germany or of the Anti-German allies, of the world's trade.

Now how in any of these three cases can the bargaining and trickery of diplomatists and the advantage-hunting of the belligerents produce any stable and generally beneficial solution? What all the neutrals want, what every rational and far-sighted man in the belligerent countries wants, what the common sense of the whole world demands, is neither the "ascendancy" of Germany nor the "ascendancy" of Great Britain nor

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Damaged Goods by Upton Sinclair:

"Well, I'm afraid the air of Paris might not be good for me."

"You had better wait and try it."

"I would rather go back at once to my home."

"Come, now," cried Madame Dupont, "tell us why?"

"I have told you. I have thought it over."

"Thought what over?"

"Well, I have thought."

"Oh," cried the mother, "what a stupid reply! 'I have thought it over! I have thought it over!' Thought WHAT over, I want to know!"

"Well, everything."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Crito by Plato:

CRITO: Yes.

SOCRATES: Then we must do no wrong?

CRITO: Certainly not.

SOCRATES: Nor when injured injure in return, as the many imagine; for we must injure no one at all? (E.g. compare Rep.)

CRITO: Clearly not.

SOCRATES: Again, Crito, may we do evil?

CRITO: Surely not, Socrates.

SOCRATES: And what of doing evil in return for evil, which is the morality of the many--is that just or not?

CRITO: Not just.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from King Henry VI by William Shakespeare:

Thy hand is but a finger to my fist, Thy leg a stick compared with this truncheon; My foot shall fight with all the strength thou hast; And if mine arm be heaved in the air, Thy grave is digg'd already in the earth. As for words, whose greatness answers words, Let this my sword report what speech forbears.

CADE. By my valour, the most complete champion that ever I heard!--Steel, if thou turn the edge, or cut not out the burly-boned clown in chines of beef ere thou sleep in