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Today's Stichomancy for Justin Timberlake

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Amy Foster by Joseph Conrad:

incomprehensible, and of a mysterious origin, in some obscure corner of the earth. Yet amongst all the adventurers shipwrecked in all the wild parts of the world there is not one, it seems to me, that ever had to suffer a fate so simply tragic as the man I am speaking of, the most innocent of adventurers cast out by the sea in the bight of this bay, almost within sight from this very window.

"He did not know the name of his ship. Indeed, in the course of time we discovered he did not even know that ships had names--'like Christian peo-


Amy Foster
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Young Forester by Zane Grey:

behind him came old Hiram Bent, slower, more cautious, but no less formidable. As these men glanced around with fiery eyes the quick look of relief that shot across their faces told of ungrounded fears.

"Where's Buell?" sharply queried Dick.

Jim Williams did not reply, and a momentary silence ensued.

"Buell lit out after the Greaser," said Bill, finally.

"Cut and run, did he? That's his speed," grimly said Dick. "Here, Bent, find some rope. We've got to tie up these jacks."

"Hands back, an' be graceful like. Quick!" sang out Jim Williams.

It seemed to me human beings could not have more eagerly and swiftly obeyed an order. Herky and Bill and Bud jerked their arms down and extended their


The Young Forester
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ancient Regime by Charles Kingsley:

with "Menagiana," or other 'ana's--as vain and artificial as they are often foul; nor with novels and poems, long since deservedly forgotten. On the first perusal of this lighter literature, you will be charmed with the ease, grace, lightness with which everything is said. On the second, you will be somewhat cured of your admiration, as you perceive how little there is to say. The head proves to be nothing but a cunning mask, with no brains inside. Especially is this true of a book, which I must beg those who have read it already, to recollect. To read it I recommend no human being. We may consider it, as it was considered in its time, the typical novel of the Ancien Regime. A picture of Spanish society,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A House of Pomegranates by Oscar Wilde:

time when we came to the grove that is outside the walls, and the air was sultry, for the Moon was travelling in Scorpion. We took the ripe pomegranates from the trees, and brake them, and drank their sweet juices. Then we lay down on our carpets, and waited for the dawn.

'And at dawn we rose and knocked at the gate of the city. It was wrought out of red bronze, and carved with sea-dragons and dragons that have wings. The guards looked down from the battlements and asked us our business. The interpreter of the caravan answered that we had come from the island of Syria with much merchandise. They took hostages, and told us that they would open the gate to us