| The first excerpt represents the past or something you must release, and is drawn from Songs of Innocence and Experience by William Blake: HOLY THURSDAY
Is this a holy thing to see
In a rich and fruitful land, -
Babes reduced to misery,
Fed with cold and usurous hand?
Is that trembling cry a song?
Can it be a song of joy?
And so many children poor?
It is a land of poverty!
And their sun does never shine,
And their fields are bleak and bare,
Songs of Innocence and Experience |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Twice Told Tales by Nathaniel Hawthorne: half a century, and had toyed with the embroidery of their rich
waistcoats, or roguishly pulled the long curls of their flowing
wigs. "But Governor Belcher has been dead this many a year,"
would the mother say to her little boy. "And did you really see
him at the Province House?" "Oh yes, dear mother! yes!" the
half-dreaming child would answer. "But when old Esther had done
speaking about him he faded away out of his chair." Thus, without
affrighting her little guests, she led them by the hand into the
chambers of her own desolate heart, and made childhood's fancy
discern the ghosts that haunted there.
Living so continually in her own circle of ideas, and never
Twice Told Tales |
The third excerpt represents the future or something you must embrace, and is drawn from A Midsummer Night's Dream by William Shakespeare: Quin. You can play no part but Piramus, for Piramus
is a sweet-fac'd man, a proper man as one shall see in
a summers day; a most louely Gentleman-like man, therfore
you must needs play Piramus
Bot. Well, I will vndertake it. What beard were I
best to play it in?
Quin. Why, what you will
Bot. I will discharge it, in either your straw-colour
beard, your orange tawnie beard, your purple in graine
beard, or your French-crowne colour'd beard, your perfect
yellow
A Midsummer Night's Dream |
