| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Through the Looking-Glass by Lewis Carroll: My heart went hop, my heart went thump;
I filled the kettle at the pump.
Then some one came to me and said,
"The little fishes are in bed."
I said to him, I said it plain,
"Then you must wake them up again."
I said it very loud and clear;
I went and shouted in his ear.'
Humpty Dumpty raised his voice almost to a scream as he
repeated this verse, and Alice thought with a shudder, `I
wouldn't have been the messenger for ANYTHING!'
 Through the Looking-Glass |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Smalcald Articles by Dr. Martin Luther: consolation against sin and a bad conscience, ordained by
Christ [Himself] in the Gospel, Confession or Absolution ought
by no means to be abolished in the Church, especially on
account of [tender and] timid consciences and on account of
the untrained [and capricious] young people, in order that
they may be examined, and instructed in the Christian
doctrine.
But the enumeration of sins ought to be free to every one, as
to what he wishes to enumerate or not to enumerate. For as
long as we are in the flesh, we shall not lie when we say: "I
am a poor man [I acknowledge that I am a miserable sinner],
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maid Marian by Thomas Love Peacock: "Indeed, I cannot say," said the stranger knight:
"but I should apprehend very little."
"And so should I," said the friar: "for we should find very little of our
bold open practice, but should hear abundance of praise of our principles.
To live in seeming fellowship and secret rivalry; to have a hand for all,
and a heart for none; to be everybody's acquaintance, and nobody's friend;
to meditate the ruin of all on whom we smile, and to dread the secret
stratagems of all who smile on us; to pilfer honours and despoil
fortunes, not by fighting in daylight, but by sapping in darkness:
these are arts which the court can teach, but which we, by 'r Lady,
have not learned. But let your court-minstrel tune up his throat
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mother by Owen Wister: especially devoted to The Mastersingers of Nuremberg.
"Shall we have," he whispered to Mr. Hillard, "a Beckmesser fiasco
to-night, or will it be a Walter success?"
But Mr. Hillard, besides being an author and a critic, cared little for
the too literary cleverness of Mr. Graves. He therefore heavily crushed
that gentleman's allusion to Wagner's opera. "I remember," he said, "the
singing contest between Beckmesser and Walter, and I doubt if we are to
be afflicted with anything so dull in this house."
Richard had settled himself in the easy-chair, and was looking
thoughtfully at various objects in the room, while the small-talk was
subsiding around him.
|