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Today's Stichomancy for Karl Rove

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Facino Cane by Honore de Balzac:

my blade and cut a hole; I crept on my belly like a serpent; I worked naked and mole-fashion, my hands in front of me, using the stone itself to gain a purchase. I was to appear before my judges in two days' time, I made a final effort, and that night I bored through the wood and felt that there was space beyond.

"Judge of my surprise when I applied my eye to the hole. I was in the ceiling of a vault, heaps of gold were dimly visible in the faint light. The Doge himself and one of the Ten stood below; I could hear their voices and sufficient of their talk to know that this was the Secret Treasury of the Republic, full of the gifts of Doges and reserves of booty called the Tithe of Venice from the spoils of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lin McLean by Owen Wister:

just shot like a man in a husband scrape, instead of jailed like a skunk for thieving? No, sir, she mustn't. Think of how it'll be. Quick as the stage pulls up front o' the Buffalo post-office, plump she'll be down ahead of the mail-sacks, inquiring after her brother, and all that crowd around staring. Why, we can't let her do that; she can't do that. If you don't feel so interfering, I'm good for this job myself." And Mr. McLean took the lead and marched jingling in to supper.

The seat he had coveted was vacant. On either side the girl were empty chairs, two or three; for with that clean, shy respect of the frontier that divines and evades a good woman, the dusty company had sat itself at a distance, and Mr. McLean's best seat was open to him. Yet he had veered

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Across The Plains by Robert Louis Stevenson:

in Scotland. And yet the boats that ride in the haven are of strange outlandish design; and, if you walk into the hamlet, you will behold costumes and faces and hear a tongue that are unfamiliar to the memory. The joss-stick burns, the opium pipe is smoked, the floors are strewn with slips of coloured paper - prayers, you would say, that had somehow missed their destination - and a man guiding his upright pencil from right to left across the sheet, writes home the news of Monterey to the Celestial Empire.

The woods and the Pacific rule between them the climate of this seaboard region. On the streets of Monterey, when the air does not smell salt from the one, it will be blowing perfumed from the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tapestried Chamber by Walter Scott:

conveys a much more feeble impression than is achieved by the voice of the speaker on a circle of fireside auditors, who hang upon the narrative as the narrator details the minute incidents which serve to give it authenticity, and lowers his voice with an affectation of mystery while he approaches the fearful and wonderful part. It was with such advantages that the present writer heard the following events related, more than twenty years since, by the celebrated Miss Seward of Litchfield, who, to her numerous accomplishments, added, in a remarkable degree, the power of narrative in private conversation. In its present form the tale must necessarily lose all the interest which was