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Today's Stichomancy for Karl Rove

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Two Poets by Honore de Balzac:

bound, weighs about two hundred and fifty pounds; it would only weigh fifty if we used Chinese paper. That surely would be a triumph, for the housing of many books has come to be a difficulty; everything has grown smaller of late; this is not an age of giants; men have shrunk, everything about them shrinks, and house-room into the bargain. Great mansions and great suites of rooms will be abolished sooner or later in Paris, for no one will afford to live in the great houses built by our forefathers. What a disgrace for our age if none of its books should last! Dutch paper--that is, paper made from flax--will be quite unobtainable in ten years' time. Well, your brother told me of this idea of your father's, this plan for using vegetable fibre in paper-

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

"Yes: for ten years I lived the most revolting existence, while dreaming of the noblest love, and even in the name of that love. Yes, I want to tell you how I killed my wife, and for that I must tell you how I debauched myself. I killed her before I knew her.

I killed THE wife when I first tasted sensual joys without love, and then it was that I killed MY wife. Yes, sir: it is only after having suffered, after having tortured myself, that I have come to understand the root of things, that I have come to understand my crimes. Thus you will see where and how began the drama that has led me to misfortune.

"It is necessary to go back to my sixteenth year, when I was


The Kreutzer Sonata
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gorgias by Plato:

consequences.

(3) Plato's theory of punishment is partly vindictive, partly corrective. In the Gorgias, as well as in the Phaedo and Republic, a few great criminals, chiefly tyrants, are reserved as examples. But most men have never had the opportunity of attaining this pre-eminence of evil. They are not incurable, and their punishment is intended for their improvement. They are to suffer because they have sinned; like sick men, they must go to the physician and be healed. On this representation of Plato's the criticism has been made, that the analogy of disease and injustice is partial only, and that suffering, instead of improving men, may have just the opposite effect.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lin McLean by Owen Wister:

richly stamped. Every day (when in Mesa) Honey would step into the drug-store and inquire, "Lin, wher're yu' goin'?"

But Lin never answered any more. He merely came to the soda-water fountain with the whiskey. The passing of days brought a choked season of fine sand and hard blazing sky. Heat rose up from the ground and hung heavily over man and beast. Many insects sat out in the sun rattling with joy; the little tearing river grew clear from the swollen mud, and shrank to a succession of standing pools; and the fat, squatting cactus bloomed everywhere into butter-colored flowers big as tulips in the sand. There were artesian wells in Mesa, and the water did not taste very good; but if you drank from the standing pools where the river had been, you