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Today's Stichomancy for Kate Beckinsale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alexander's Bridge by Willa Cather:

brought him his hat and stick and ulster. At the sight of these, the supercilious Angora moved restlessly, quitted her red cushion by the fire, and came up, waving her tail in vexation at these ominous indications of change. Alexander stooped to stroke her, and then plunged into his coat and drew on his gloves. His wife held his stick, smiling. Bartley smiled too, and his eyes cleared. "I'll work like the devil, Winifred, and be home again before you realize I've gone." He kissed


Alexander's Bridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Across The Plains by Robert Louis Stevenson:

the life of dreams, some seven hours (as near as he can guess) to one; and it went, besides, more intensely, so that the gloom of these fancied experiences clouded the day, and he had not shaken off their shadow ere it was time to lie down and to renew them. I cannot tell how long it was that he endured this discipline; but it was long enough to leave a great black blot upon his memory, long enough to send him, trembling for his reason, to the doors of a certain doctor; whereupon with a simple draught he was restored to the common lot of man.

The poor gentleman has since been troubled by nothing of the sort; indeed, his nights were for some while like other men's, now blank,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

"I didn't know but you might have, while I was out of the room."

"I did not," said Sophia. She looked doubtfully at Amelia, then at Anna, and doubt flashed back and forth between the three pairs of blue eyes for a second. Then Sophia spoke with authority, because she was the only one of them all who had entered the estate of matrimony, and had consequently obvious cognizance of such matters.

"I think," said she, "that Eudora should be told that Harry Lawton has come back and is boarding at the Wellwood Inn."

"You think," faltered Amelia, "that it is possible she might meet him unexpectedly?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Old Maid by Honore de Balzac:

Madame du Val-Noble the chevalier's treasure. The charming confidant of many a love and the pleasure of an old age is now on exhibition in a species of private museum. If the dead could know what happens after them, the chevalier's head would surely blush upon its left cheek.

If this history has no other effect than to inspire the possessors of precious relics with holy fear, and induce them to make codicils to secure these touching souvenirs of joys that are no more by bequeathing them to loving hands, it will have done an immense service to the chivalrous and romantic portion of the community; but it does, in truth, contain a far higher moral. Does it not show the necessity for a new species of education? Does it not invoke, from the